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Playlist: Hour shows

Compiled By: Rose Weiss

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Blues For Modern Times (formerly Blues For Modern Man) (Series)

Produced by Jerry L. Davis

Most recent piece in this series:

Blues For Modern Times #176

From Jerry L. Davis | Part of the Blues For Modern Times (formerly Blues For Modern Man) series | 59:00

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This is show #176 of the Series "Blues For Modern Times", (formerly called Blues For Modern Man). This show is produced to be broadcast as either a weekly Series, or it can be easily be used as a stand-alone episode. The focus of this Series is to support today's Modern Blues music and working Blues Artists, and it highlights the great variety of music that they record. My shows use mainly just received new, and artists latest Blues releases in each show, though I occasionally blend in other modern Blues music. Today’s Blues are a diverse and exciting genre, as todays Blues Artists play in various styles of Blues. This allows me to create a true Blues variety show that should appeal to most any curious music lover. These programs DO NOT have to be ran in order-however-the higher the show number, the newer the music in the program. These shows ARE NOT dated at all, so that this Series can begin to be run at any point or show number, at your Stations discretion.
  This show is designed for the music lover, with a great variety of music. It's also for the Blues lover, to check out the latest from some of their favorite artists, and to discover new Blues artists and their recordings. And this show is a good intro to the Blues for new Blues listeners, to help them discover the diversity in today’s modern Blues music. I produce this show solely to be a part of a NPR/Community Station's regular weekly 1 hour show lineup. This show focus is on the music, and I inform listeners of the songs I've played, what album it's from, and an occasional tidbit or two on the Artist or the tune.  I post my playlists and more on my Facebook Page for the Show, Blues For Modern Times.
Since the show is aired regularly on several stations, I produce and upload NEW SHOWS EVERY WEEK. My hope is to grow both the number of stations and listeners of this program, thereby fulfilling my mission to support working Artists, and share today’s Blues music with as many listeners as possible...Upon request, I also can produce 25 second spots for each show if desired by your station, leaving :05 to announce show day and time.

Reveal Weekly (Series)

Produced by Reveal

Most recent piece in this series:

1017: The Spy Inside Your Smartphone, 4/27/2024

From Reveal | Part of the Reveal Weekly series | :00

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Classical Guitar Alive! (Series)

Produced by Tony Morris

Most recent piece in this series:

24-24 Cimarosa, Mertz, Ponce “Sonata Romantica,” Morel’s Fantasia de la Danza”

From Tony Morris | Part of the Classical Guitar Alive! series | 58:58

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TO: All Stations

FR: Tony Morris

DT: June 10, 2024

RE: ***CLASSICAL GUITAR ALIVE!   24-24 Cimarosa, Mertz, Ponce “Sonata Romantica,” Morel’s Fantasia de la Danza”

 

In Cue: MUSIC IN "Hello and welcome to..."

Out Cue: "...another edition of Classical Guitar Alive!"

Program Length: 58:57

 

INTRODUCTION:

 Bizet:  Carmen Suite: Prelude       Los Romeros, guitar quartet

                                                        (Philips 412-609)

PROGRAM BEGINS:

 

Cimarosa: Sonata in G Minor              Hannu Anala, guitar,  Mari Mantyla, decacorde

             “Musica Barocca a Due”   (Alba 2023) (3:39)

 

Mertz: Duo Concertant uber ein Theme aus Elisir d’amore     Brian Torosian, guitar,

                                                                                                 David Schrader, piano

                           “Mertz: Guitar & Piano Duos”      (Brian Torosian 2012) (9:13)            

 

Ponce: Sonata Romantica  “Homage a Schubert”      Jason Vieaux, guitar

                                “Manuel Ponce: Guitar Sonatas” (Azica 2001) (22:31)

 

Morel: Fantasia de la Danza                     Krzysztof Pelech, guitar,
                                              Capella Bydgostiensis,  Michal Nesterowicz, conductor

                                         (Luthier Music 2006) (20:05)

 

CLOSING THEME/FUNDING CREDITS

 

This week’s program features a keyboard sonata by Cimarosa arranged for guitar and decacorde (10-string guitar), Mertz’s Duo Concertant for guitar and piano on a theme from the Donizetti opera The Elixir of Love, Manuel Ponce’s Sonata Romantica in homage to Franz Schubert, and Argentine composer Jorge Morel’s “Fantasia de la Danza” for guitar and orchestra.

 

CLASSICAL GUITAR ALIVE! is a weekly one-hour music with interviews program that is sound-rich, energetic, and has a positive vibe. It is an audience bridge-builder program that attracts both core classical audience and fans of all kinds of acoustic music.

 

Classical Guitar Alive! celebrates 25 years of national distribution and airs each week on over 200 stations. FUNDRAISER EDITION of Classical Guitar Alive! is available here to all stations: http://www.prx.org/pieces/187790-fundraiser-editio

 

CGA! is a winner at PRX's 13th Annual Zeitfunk Awards: #1 Most Licensed Producer, and #2 Most Licensed Series.

Blue Dimensions (Series)

Produced by Bluesnet Radio

Most recent piece in this series:

Blue Dimensions M17: The Salerno Concert — Bob Mover & Walter Davis, Jr. in concert in 1989

From Bluesnet Radio | Part of the Blue Dimensions series | 59:00

Moverdavis_small In this hour of Blue Dimensions, alto saxophone player Bob Mover and pianist Walter Davis Jr., recorded in 1989 in a concert in Salerno Italy. These two worked as a duo, more in Europe than in the U. S. Perhaps a duo of saxophone and piano wasn't a popular configuration here, but the music they made is excellent, and this concert is a welcome discovery. We'll play several tracks from it. We also have a song from blues pianist Walter Davis, no relation to Walter Davis Jr., who had a distinctive minor-key style and signature phrasing as a pianist and vocalist. Plus: new music from boogie woogie pianists Lluís Coloma and Erwin Helfer together on an album called "Two Pianists Too Cool." We have new music as well from trumpeters Jeremy Pelt and Allen Dennard, and saxophonists Nicole Glover and Jim Snidero.

promo included: promo-M17

You Bet Your Garden (Series)

Produced by You Bet Your Garden

Most recent piece in this series:

YBYG1327T: You Bet Your Garden # 1327T Growing a Great Pumpkin Patch, 4/25/2024

From You Bet Your Garden | Part of the You Bet Your Garden series | 54:58

Ybyg-sp-p_small On this Pumpkin prepping episode of YBYG Mike McGrath teaches you how to grow a great Pumpkin patch! Plus your fabulous phone calls!!

A Way with Words (Series)

Produced by A Way with Words

Most recent piece in this series:

Skookum (#1534)

From A Way with Words | Part of the A Way with Words series | 54:00

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You might assume that the Welsh word plant means the same thing it does in English, but this word is a linguistic false friend. The Welsh word plentyn means "child," and the word plant means "children." Some false friends are etymologically unrelated, such as the Italian word burro, which means "butter," and the Spanish word burro, or "donkey." Others have a common root, but took divergent paths in different languages. The Latin word fastidium, for example, means "loathing" or "disgust," and gave rise to Spanish fastidioso, which means "annoying" or "tedious," but also English fastidious, which has the somewhat more positive meaning of "meticulous." Gift in German means "poison," but in Norwegian the same word means "married."
Stacy in Eureka, California, wonders: what's the proper way to pronounce the word bury? Should it rhyme with jury or cherry? 
Mark from Newport News, Virginia, says his mother, who grew up in Fancy Farm, Kentucky, often used a puzzling phrase. To ask how close he was to completing a task, she'd say How much do you like? In parts of the Southern United States, this expression simply means How much do you lack?
The adjective skookum comes from Chinook jargon and is commonly used in Alaska and the Pacific Northwest to describe something strong, good, muscular, or powerful, as in a skookum Malamute or a skookum drink. 
Quiz Guy John Chaneski is pondering the term o'clock, which is a shortening of the phrase of the clock. What would our language be like if we used that construction all of the time, or as he puts it, all o'time? For example, what similarly constructed term would designate a reverend by the material used to make their clerical garb?
Now that he's reached mid-life, Jeff in San Diego, California, is eager to start writing fiction, but he worries that creative writing classes may be simply self-indulgent or otherwise unhelpful. He shouldn't be. Across the nation, older learners can take advantage of excellent and affordable classes in creative writing at places institutions such as the San Diego Community Colleges. Most cities have organizations like San Diego Writers Ink, which can provide wonderful support, encouragement, and instruction. Or to work completely on your own, try a book like The Lively Muse Daily Appointment Calendar for Writers by Judy Reeves. The key is to get started and then stick to it. Also, make sure to take advantage of all the learning opportunities afforded by special events for reading enthusiasts, such as The San Diego Union-Tribune Festival of Books.
Rae from Baltimore, Maryland, works in a cardiac intervention lab where surgeons refer to the esophagus as the goose. Is that bit of medical slang limited to her workplace? 
Mary in Tulsa, Oklahoma, says that growing up, she and the kids in her neighborhood used the the verb pump to refer to giving someone a lift on a bicycle. This caused a bit of confusion when she went away to college and puzzled fellow students with requests like Will you pump me over to my dorm? or Just give me a little pumping.
Sister Patricia Marie in San Antonio, Texas, wonders why we use three sheets to the wind to describe someone who is inebriated. In nautical terminology, some of the ropes, or lines, attached to a sail are called sheets. If three of those sheets come loose, the boat is extremely difficult to control, much like a drunk person stumbling around.
In an earlier episode, Dennis from New Smyrna Beach, Florida, was having trouble recalling a word that denotes the interval between the end of an event or of someone's life and the death of the last person that has a meaningful memory of it. We had a couple of suggestions, but they weren't what he was searching for. Fortunately, a listener in Geneva, Switzerland, wrote in with the likely answer: saeculum. The ancient Etruscans and Romans would make a sacrifice to the gods on behalf of everyone alive at the time of a significant event, and when all of those people had died, the gods supposedly sent a sign that a new sacrifice was needed. That period was called a saeculum. The Latin word was adopted whole into English to mean "a long period of time." The genitive form, saecularis, meaning "of an age," also gave us secular, referring to worldly matters of a particular period. Secular can also refer to something that exists or occurs through several ages. For example, economists use the term secular inflation to refer to inflation that takes place over a long period of time. Similarly, in his poem "The Garden," Ralph Waldo Emerson refers to a slow-ripening, secular tree.
Growing up in Thibodeaux, Louisiana, Ashleigh was accustomed to using many Cajun terms, such as sha bebe for "poor baby," ya mom'n'em for "your family and circle of friends," and lagniappe, meaning "a little something extra thrown in." Another one is pelay, pronounced PEE-lay, which she uses to describe an action like stubbing her toe or bumping her knee. It's from piler, which according to the Dictionary of Louisiana French has a variety of meanings, including "to trample or crush," "to beat," or "to step on someone's foot." 
John from Orlando, Florida, shares a story about a trip to Capetown, South Africa, where he discovered that the phrase I'll be with you now meant something more like "Wait a minute." The expression now now, deriving from an Afrikaans term, is widely used in South Africa to mean "right away."
The Mexican Spanish term tules means "bulrushes" or "marsh plants." In parts of California and along the Pacific coast, toolies or tulies refers to a place that's in a remote area, or in other words, out in the sticks.
This episode is hosted by Grant Barrett and Martha Barnette.

Juke In The Back With Matt The Cat (Series)

Produced by Matt "The Cat" Baldassarri

Most recent piece in this series:

Episode #729 - The R&B of RCA

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Jukelogolargeapple2_small The R&B of RCAThe R&B of RCA

It is a popular belief that the seeds of Rhythm & Blues, Rock n' Roll and even Jazz were planted by the small independent labels and that the major labels exhaustively played catch-up as the music grew in popularity. That is simply not true. The major labels were there from the beginning, often breaking important artists, many with mainstream leanings, while the indie labels promoted the more "grittier" aspects of the music, which we view today as the more "authentic" sound of R&B, Rock n' Roll and Jazz. And so, like Columbia and Decca, RCA Victor released some stellar Rhythm & Blues during the late 1940s into the early 1950s, before the label signed Elvis in 1955. It's hard to imagine Rock n' Roll emerging from a world void of Arthur "Big Boy" Crudup as Elvis and his contemporaries took so much inspiration from him, including covering his songs. Crudup was a star on RCA's blues roster as was Jazz Gillum. John Greer, The Robins and even Jesse Belvin all spent time on RCA. This week, Matt The Cat shines the spotlight on some great Blues, Jump Blues, Rhythm & Blues and vocal group sounds from RCA Victor during the golden age of R&B. It's the R&B of RCA on the "Juke In The Back." 

Sound Ideas (Jazz & Blues) (Series)

Produced by Clay Ryder

Most recent piece in this series:

Sound Ideas #392 - Encompassing Time

From Clay Ryder | Part of the Sound Ideas (Jazz & Blues) series | 57:30

Sound_ideas_small This is the three-hundred-ninety-second episode in a thematic series focused on jazz, blues, and spoken word.

In this hour, we will sample jazz from the all-encompassing palate while also acknowledging the impact of time.

The Spanish Hour with Candice Agree (Series)

Produced by Candice Agree

Most recent piece in this series:

The Spanish Hour 2405: Dances, Impressions & Rhapsodies

From Candice Agree | Part of the The Spanish Hour with Candice Agree series | 58:30

Tumblr_inline_pbw3l7tkzo1uns891_1280_small From a Valencian medieval legend to the seat of the ancient Incan empire to pre-Colombian Peru and Bolivia to Cuba and the Argentine tango, works by Ginastera, Rodrigo, Lecuona and Frank, featuring flutist Eugenia Zukerman, pianist Thomas Tirino, and conductors Enrique Bátiz and Keith Lockhart, exploring contemporary visions of times gone by.