The modern day production of champagne owes much to the pioneering innovations of the champagne widows.  On this episode, Rebecca Rosenberg discussed her new book, Madame Pommery.

Scientists discover that giraffes inherit their spots.

This episode of Authentic South begins over 200 years ago. In the late 1700s, there was a famous French general named La Fayette. (Lafee-ette) He was a champion of the American cause during our Revolution, and he actually fought under George Washington. He became a national hero here. And after the war, he traveled around our country and was showered with praise.

Streets were named in his honor. Monuments that still stand in town squares were erected to him. Cities were named after him, including, interestingly, Fayetteville, North Carolina.

This guy was a big deal.  

And during one of his trips in 1825, La Fayette visited James and Dolley Madison at their home Montpelier in Virginia. And the French general wrote that one of the most interesting sights he witnessed in America was the log cabin there of a woman named Granny Millie. She was a slave who was 104 years old at the time, and she lived with her daughter and granddaughter. We know that when La Fayette met her, she showed him her only treasure, an old worn copy of the ancient book Telemachus.

For years, at historic plantation sites across the South, the focus was on the big house and not on the slave cabins such as Granny Millie’s. But as contributor Kelley Libby tells us, cabins like that are being resurrected on the grounds of Montpelier.

Kelley Libby is an associate producer for a program called With Good Reason, produced by the Virginia Foundation for the Humanities. That’s where this story first aired. For more information on the Slave Dwelling Project, visit slavedwellingproject.org.

As always, the Authentic South theme is by Chris Hoke and Brett Estep.

And to see pictures of the cabins and to hear other episodes of the show, click on over to AuthenticSouth.com. You can also find us on iTunes and Stitcher Radio and SoundCloud. We are part of the Public Radio Exchange (prx.org) and we’ve got our own page at WFAE.org.

Until we go South again, thanks for listening.  

What is BITS? We start with the varied definitions of bit. A bit can be a small portion, degree, or amount such as a bit of lint; a bit of luck. On the other hand a bit can be a brief amount of time, a moment as in Wait a bit. Or how about a short scene or episode in a theatrical performance? Or a bit part? Keeping with our theatrical theme, a bit can be an entertainment routine given regularly by a performer; an act. Let’s take our definition of bit further. A bit can be the sharp part of a tool, such as the cutting edge of a knife or ax or a particular kind of action, situation, or behavior as in I got tired of the macho bit. How about a matter being considered as in What's this bit about inflation? The Brits consider a bit a small coin: a three penny bit. BITS for our purposes are an amalgamation of all and is about our bit to contribute and share by bringing you a bit of knowledge as information and entertainment, and as a matter to be considered. So have a listen to our brief, daily dose of BITS where a little knowledge goes a long way brought to you by the artist of communication Halli Casser-Jayne, host of The Halli Casser-Jayne Show, Talk Radio for Fine Minds. For more information visit bit.ly/YEswYS.

Bluegrass music is in a constant state of evolution. Bluegrass artists are drawn to the catalog of songs by the Father of Bluegrass music, Bill Monroe. One of the popular songs from the Monroe canon, is With Body and Soul.

Says You 2719 (1211R) with Richard Sher

Opers, although not the entertainment focus of most Americans, still has a very important roll to play in music, even in our time. This discussion brings the older, middle and younger opera enthusiats together in a very passionate expression of opera's significance historically as well as in our own time.

On the evening of May 31, 2009, 216 passengers, three pilots, and nine flight attendants boarded an Airbus 330 in Rio de Janeiro. This flight, Air France 447, was headed across the Atlantic to Paris. The take-off was unremarkable. The plane reached a cruising altitude of 35,000 feet. The passengers read and watched movies and slept. Everything proceeded normally for several hours. Then, with no communication to the ground or air traffic control, flight 447 suddenly disappeared.

Days later, several bodies and some pieces of the plane were found floating in the Atlantic Ocean. But it would be two more years before most of the wreckage was recovered from the ocean’s depths. All 228 people on board had died. The cockpit voice recorder and the flight data recorders, however, were intact, and these recordings told a story about how Flight 447 ended up in the bottom of the Atlantic.

The story they told was was about what happened when the automated system flying the plane suddenly shut off, and the pilots were left surprised, confused, and ultimately unable to fly their own plane.

[Early Autopilot. Credit: Eric Long, National Air and Space Museum, Smithsonian Institution]

The first so called “auto-pilot” was invented by the Sperry Corporation in 1912. It allowed the plane to fly straight and level without the pilot’s intervention. In the 1950s the autopilots improved, and could be programed to follow a route.

By the 1970s, even complex electrical systems and hydraulic systems were automated, and studies were showing that most accidents were caused not by mechanical error, but by human error. These findings prompted the French company Airbus to develop safer planes that used even more advanced automation.

Airbus set out to design what they hoped would be the safest plane yet—a plane that even the worst pilots could fly with ease. Bernard Ziegler, senior vice president for engineering at Airbus, famously said that he was building an airplane that even his concierge would be able to fly.

[One of the first Airbus planes for commercial use. Credit: Stahlkocher.]

Not only did Ziegler’s plane have auto-pilot, it also had what’s called a “fly-by-wire” system. Whereas autopilot just does what a pilot tells it to do, fly-by-wire is a computer-based control system that can interpret what the pilot wants to do, and then execute the command smoothly and safely. For example, if the pilot pulls back on his or her control stick, the fly-by-wire system will understand that the pilot wants to pitch the plane up, and then will do it at the just the right angle and rate.

Importantly, the fly-by-wire system will also protect the plane from getting into an “aerodynamic stall.” In a plane, stalling can happen when the nose of the plane is pitched up at too steep an angle. This can cause the plane to lose “lift” and start to descend.

[From top: a plane in normal flight; a plane in a stall. Credit: Wikipedia Commons.]

Stalling in a plane can be dangerous, but fly-by-wire automation makes it impossible to do. As long as it’s on.

Unlike autopilot, the “fly-by-wire” system cannot be turned on and off by the pilot. However, it can turn itself off. And that’s exactly what it did on May 31, 2009, as Air France Flight 447 made its transatlantic flight.

[The dotted line begins where Flight 447’s last contact with the control tower was made. Credit: Mysid]

When a pressure probe on the outside of the plane iced over, the automation could no longer tell how fast the plane was going, and the autopilot disengaged. The “fly-by-wire” system also switched into a mode in which it was no longer offering protections against aerodynamic stall. When the autopilot disengaged, the co-pilot in the right seat put his hand on the control stick—a little joy stick like thing to his right—and pulled it back, pitching the nose of the plane up.

This action caused the plane to go into a stall, and yet, even as the stall warning sounded, none of the pilots could figure out what was happening to them. If they’d realized they were in a stall, the fix would have been clear. “The recovery would have required them to put the nose down, get it below the horizon, regain a flying speed and then pull out of the ensuing dive,” says William Langewiesche, a journalist and former pilot who wrote about the crash of Flight 447 for Vanity Fair. 

The pilots, however, never tried to recover, because they never seemed to realize they were in a stall.  Four minutes and twenty seconds after the incident began, the plane pancaked into the Atlantic, instantly killing all 228 people on board.

There are various factors that contributed to the crash of flight 447. Some people point to the fact that the airbus control sticks do not move in unison, so the pilot in the left seat would not have felt the pilot in the right seat pull back on his stick, the maneuver that ultimately pitched the plane into a dangerous angle. But even if you concede this potential design flaw, it still begs the question, how could the pilots have a computer yelling ‘stall’ at them, and not realize they were in a stall?

It’s clear that automation played a role in this accident, though there is some disagreement about what kind of role it played. Maybe it was a badly designed system that confused the pilots, or maybe years of depending on automation had left the pilots unprepared to take over the controls.

“For however much automation has helped the airline passenger by increasing safety it has had some negative consequences,” says Langewiesche. “In this case it’s quite clear that these pilots had had experience stripped away from them for years.” The Captain of the Air France flight had logged 346 hours of flying over the past six months. But within those six months, there were only about four hours in which he was actually in control of an airplane—just the take-offs and landings. The rest of the time, auto-pilot was flying the plane. Langewiesche believes this lack experience left the pilots unprepared to do their jobs.

[Pieces of the wreckage of Flight 447. Credit: Roberto Maltchik]

Complex and confusing automated systems may also have contributed to the crash. When one of the co-pilots hauled back on his stick, he pitched the plane into an angle that eventually caused the stall. But it’s possible that he didn’t understand that he was now flying in a different mode, one which would not regulate and smooth out his movements. This confusion about what how the fly-by-wire system responds in different modes is referred to, aptly, as “mode confusion,”  and it has come up in other accidents.

“A lot of what’s happening is hidden from view from the pilots,” says Langewiesche. “It’s buried. When the airplane starts doing something that is unexpected and the pilot says ‘hey, what’s it doing now?’ — that’s a very very standard comment in cockpits today.'”

Langewiesche isn’t the only person to point out that ‘What’s it doing now?’ is a commonly heard question in the cockpit.

In 1997,  American Airlines captain Warren Van Der Burgh said that the industry has turned pilots into “Children of the Magenta” who are too dependent on the guiding magenta-colored lines on their screens.

William Langewiesche agrees:

“We appear to be locked into a cycle in which automation begets the erosion of skills or the lack of skills in the first place and this then begets more automation.”

However potentially dangerous it may be to rely too heavily on automation, no one is advocating getting rid of it entirely. It’s agreed upon across the board that automation has made airline travel safer. The accident rate for air travel is very low: about 2.8 accidents for every one million departures. (Airbus planes, by the way, are no more or less safe than their main rival, Boeing.)

Langewiesche thinks that we are ultimately heading toward pilotless planes. And by the time that happens, the automation will be so good and so reliable that humans, with all of their fallibility, will really just be in the way.

[The magenta guiding lines of automation, from a 1997 presentation by pilot Warren Van Der Burgh.]

Producer Katie Mingle spoke with William Langewiesche, a former pilot who wrote an article in Vanity Fair about this flight, as well as Nadine Sarter, a systems engineer at the University of Michigan. This episode also features the voice of Captain Warren Van Der Burgh.

The Sundilla Radio Hour for the week of 03/27/2023.

A Broken Coffee Cup

Margaret Cavendish was a pioneer of modern science fiction – except she didn’t intend to write science fiction. In the mid 17^th century, Cavendish was a noblewoman who wanted to be taken seriously as a philosopher. In her poetry and her landmark work, The Blazing World, she imagined parallel universes, microscopic cities, human animal hybrids, zombie armies and flying vehicles. I talk with professors Emily Thomas (Durham University), Lisa Walters (University of Queensland), Lisa Sarasohn (Oregon State University), and Lara Dodds (Mississippi State University) about why Cavendish wrote for future generations that she hoped would understand and appreciate her ideas. Featuring readings by Tanya Rich.

Come along with The Incredible String Band, Elisapi, Far Caspian, Cat Power, John Cale, Antonio Adolfo, Eva Cassidy & London Symphony Orchestra, Stan Getz, Bryan Ferry, Dion & The Belmonts, Brad Mehldau, Samara Joy, The Ink Spots, Duke Ellington & His Orchestra, Ane Brun, Gorillaz feat. Bad Bunny, Van Dyke Parks, Harry Nilsson, John Cale, Johnny A, Cosmo Sheldrake, The Swingle Singers, Rickie Lee Jones, Stanley Brinks & The Wave Pictures, King Krule, Miley Cyrus, Marc Jordan, bar italia, Kxllswxtch, Nirvana, Beautiful People, Bjork feat.Shygirl and Elvis Costello & Burt Bacharach on a sweet musical journey-All Mixed Up!