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Playlist: Drew Darling's Portfolio

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Featured

Christmas with the Enemy

From Drew Darling | 59:33

The Christmas truce along the Western Front of WWI

Tumblr_mylwh3qhwx1sm7dkjo1_400_small Narrative in words and music telling the story of the spontaneous truce arranged among soldiers along the Western Front, Christmas, 1914.  Features over two dozen voices reading from letters and diaries of those who were there.  Much of the music also drawn from the period, including those they sang for each other and with each other.

"They ate, they sang, they played together.  The cared for the wounded and buried the dead, with men of both armies working as one."  Includes one very touching scene of a joint prayer and burial service among the Scots and the Germans.

The piece has been a holiday favorite several years running at WERU in Downeast Maine.  For this hundredth anniversary telling, it is completely rewritten and updated.

An amazing story that makes for a very moving hour in your  holiday broadcast schedule.

Includes a 60-sec promo with sample time and date embedded.  Contact me once you have scheduled it and  I will make you a fresh one with your time and date embedded.

Assignment: Memphis

From Drew Darling | 58:00

The plot that killed the dream. The Who, What, Where, How and Why Dr. Martin Luther King Jr., was assassinated.

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"Assignment: Memphis," reveals the plot to assassinate Dr. Martin Luther King Jr., 50 years ago this April.

By laying out the facts of the case that have recently come to light, it makes easy work of the official story—that lone nut, James Earl Ray, killed Dr. King.

Through a careful presentation of sworn affidavits, courtroom testimony, eye-witness accounts, and the findings of numerous scholars on the subject, "Assignment: Memphis" lays out the full details of the horrific plot—not merely who pulled the trigger, but who paid him, who organized him to do it.

The piece details why those directing his murder within multiple rings of deniability were convinced he had to be “neutralized as an effective Negro leader."

Where possible, sources are recorded directly.  In cases where they are deceased or vanished, actors read their sworn testimony and first-hand accounts.

The piece is underlaid with music of the civil rights era, gospel, and with subtle cinematic undertones.  It will be accompanied by a website with a full list of credits, pictures, music and an epilogue.

Produced in the studios of WERU in downeast Maine, Assignment: Memphis is a riveting 58-minutes, and is intended for broadcast on or just before April 4th.

The Adagio Award Given for the Best Film Score of 2019

From Drew Darling | Part of the Adagio series | 01:56:00

Two hours of film scores from 2019. Some nominated for an Oscar, others nominated by the Adagio Board of Governors for the coveted Adagio Award for Best Original Film Score of 2019.

A2633e63-e880-416c-bdcc-ac355b824203_4_5005_c_small Two hours of film scores from 2019. Some nominated for an Oscar, others nominated by the Adagio Board of Governors for the coveted Adagio Award for Best Original Film Score of 2019.

Nina Simone

From Drew Darling | Part of the Adagio series | 01:56:00

Hour One is an exploration of the very first recording of Nina Simone in 1958, in which she laid down 14 tracks for Bethlehem Records including her first hit, I Loves You, Porgy. Hour Two reviews French, Polish and Scandinavian composers Debussy, Chopin, Grieg, and Icelandic neo-classical composers-musicians Ólafur Arnalds and Sigur-Rós.

Playing
Nina Simone
From
Drew Darling

Screenshot_2020-02-02_nina_simone_and_her_friends_nina_simone_-_nina_simone_user_reviews_allmusic_small Hour One is an exploration of the very first recording of Nina Simone in 1958, in which she laid down 14 tracks for Bethlehem Records including her first hit, I Loves You, Porgy.  Hour Two reviews French, Polish and Scandinavian composers Debussy, Chopin, Grieg, and Icelandic neo-classical composers-musicians Ólafur Arnalds and Sigur-Rós.

Sketches of Spain

From Drew Darling | Part of the Adagio series | 01:56:00

Miles Davis and Gil Evans third collaboration traced to Joaquin Rodrigo's El Concierto de Aranjuez, and on from there.

1ab8c107-1acd-4aa2-89a4-44fec490a552_small

Adagio, a new two-hour weekly program sure to diversify your line up and attract a loyal audience.  Slowed-down bluesy jazz and classical, and especially where the two overlap, with commentary to connect the dots.

Features selections primarily from North America and Europe, from the late 20th and 21st century.  But the organizing principle of Adagio is neither genre, place nor time.  It is depth of mood, and the magnetism of deep, intentional music.

Derived from Italian ad agio, meaning at ease, Adagio is a two-hour respite from the hustle of daily living.  And while tempo is crucial it’s not merely a matter of b/p/m.  Selections are intended to captivate listeners; (and in secret) get them to stop what they’re doing, tilt their heads, turn it up and lean in.

It’s contemplative music but not—god forbid—intellectual.  Above all selections are melodic!

Two hours each week, Parts I and II, 58 minutes each, posted each Monday by 08.00  When you’re in pledge week and I’ll happily make you a compelling pitch.

Go ahead.  Check it out.  It’s good.  You’ll like it.   You may even hear something that really moves you.

Plug it in where ever you need it but the program is aired to best effect anytime weeknights six p.m. to the wee hours, or Sunday afternoon/evenings.

Compelling 60-second promo available upon request.

Questions?  You need but ask. drewdarling@gmail.com.

The Köln Concert

From Drew Darling | Part of the Adagio series | 01:56:00

Part I is a 45-year celebration of Keith Jarrett's landmark recording, The Köln Concert.
Part II briefly highlights the works of other contemporary composers whose classical background is evident in their jazz compositions.

Screenshot_2020-02-01_71kqi1d1hpl__ss500__jpg__jpeg_image__500___500_pixels__1__small Lester Young following up an aria of Vincenzo Bellini that makes it seem the one wrote for the other.  The signature tinkling of Duke Ellington leading to something similar by his idol Claude Debussy.  Or a pairing of Abbey Lincoln and Billy Holiday that makes clear the path the one pioneered and the other paved.

This is Adagio, a new two-hour program sure to diversify your line up and attract a loyal audience.  It’s slowed-down bluesy jazz and classical, and especially where the two overlap.  Spacious and cinematic; and for added flavor we throw in a poem read by actors, or a snippet of a lecture.

It features selections primarily from North America and Europe, from the late 20th and 21st century.  But the organizing principle of Adagio is neither genre, place nor time.  It is depth of mood, and the magnetism of deep, slow, intentional music.

Derived from Italian ad agio, meaning at ease, Adagio is a two-hour respite from the race of modern times, one whose pace is closer to a resting heart beat.  And while tempo is crucial it’s not merely a matter of b/p/m.  Selections are intended to captivate listeners; (and in secret) get them to stop what they’re doing, tilt their heads, turn it up and lean in.

It’s contemplative music but not—god forbid—intellectual.  Above all else, Adagio selections are melodic.

The program has its own website, RadioAdagio.org, (currently under construction) featuring current and archived shows with photographs, playlists and references.

For five years Adagio was a standout in the weekly line up at WERU in Downeast Maine, and could always be counted on for strong quarterly fund raising.

Adagio—two hours each week, Parts I and II, 58 minutes each.  When you subscribe I’ll make you a 60-second promo with time and date stamp.  And when you’re in pledge week and I’ll happily make you a compelling pitch. 

As a print journalist for 45 years, lately writing and producing radio documentaries, I can assure you well-written scripts and accurate, in-depth commentary.

Go ahead.  Check it out.  It’s good.  You’ll like it.   You may even hear something that really moves you.

Plug it in where ever you need it but the program is aired to best effect anytime weeknights six p.m. to the wee hours, or Sunday afternoon/evenings.

Questions?  You need but ask.  drewdarling@gmail.com.

Ballads, then on to Mexico

From Drew Darling | Part of the Adagio series | 01:56:00

Exploring the ballads of John Coltrane and Karrin Allyson in Part I. Part II showcases music of Mexico and stories of Frida Kahlo and friends.

Screenshot_2020-02-03_ballads_-_john_coltrane_quartet__john_coltrane_songs__reviews__credits_allmusic_small Exploring the ballads of John Coltrane and Karrin Allyson in Part I. Part II showcases music of Mexico and stories of Frida Kahlo and friends.

Vintern Var Hard

From Drew Darling | Part of the Adagio series | 01:56:00

Opens with two versions of captivating Swedish choral piece Vintern Var Hard.

Screenshot_2020-02-03_swedish_winter_at_duckduckgo_small Opens with two versions of captivating Swedish choral piece Vintern Var Hard.

But Beautiful

From Drew Darling | Part of the Adagio series | 01:56:00

Two hours of exceptionally good love songs for the week of Valentine's Day. Love that's new and decades old. Erotic, forbidden, hopeless; love treasured and disdained. The anticipation of love and the memory of it, sweet and bittersweet. Jazz, pop, country, gay and straight, from Ireland, Sweden, Canada and the U.S., from the 30s through the millennium.

"Love is tearful or it's gay. It's a problem or it's play. It's a heartache either way. But beautiful."

Go ahead. Check it out. It's good. You'll like it. You might even hear something that really moves you.

853738a6-30c3-45b3-8dbf-9956e9f0eec4_1_105_c_small Two hours of exceptionally good love songs for the week of Valentine's Day. Love that's new and decades old. Erotic, forbidden, hopeless; love treasured and disdained. The anticipation of love and the memory of it, sweet and bittersweet. Jazz, pop, country, gay and straight, from Ireland, Sweden, Canada and the U.S., from the 30s through the millennium. "Love is tearful or it's gay. It's a problem or it's play. It's a heartache either way. But beautiful." Go ahead. Check it out. It's good. You'll like it. You might even hear something that really moves you.

Shackles and Chains

From Drew Darling | Part of the Adagio series | 01:56:00

Hour One explores the roots of a motif in contemporary music that has come down to us from far away and a thousand years ago. Hour Two continues the theme and features a sampling of the musical contributions made by African Americans.

Screenshot_2020-02-15_otto-pilny-5587443_jpg__jpeg_image__400___275_pixels__small Shackles and Chains explores the origins of the motif so often found in contemporary music--that of one enslaved by love.  The roots of this innocent phrase goes back a long way, to a time when it was anything but innocent. 

Black Americans in European Exile

From Drew Darling | Part of the Adagio series | 01:56:00

This week's program looks at the black American musicians who fled the racial tensions of the United States for Europe.

Screenshot_2020-02-22_josephine_baker_-_hello_bluebird_-_amazon_com_music_small This week's program looks at the black American musicians who fled the racial tensions of the United States for Europe.

Àguas de Março

From Drew Darling | Part of the Adagio series | 01:56:00

A celebration of spring and the greatest song of early spring, Àguas de Março. Program also features the life and work of Antonio Carlos Jobim (Tom) and Elis Regina, and explores their timeless recording, Elis & Tom.

Screenshot_2020-03-02_elis_tom_-_elis_regina__anto_nio_carlos_jobim_songs__reviews__credits_allmusic_small A celebration of spring and the greatest song of early spring, Àguas de Março. Program also features the life and work of Antonio Carlos Jobim (Tom) and Elis Regina, and explores their timeless recording, Elis & Tom.

Spring is Here

From Drew Darling | Part of the Adagio series | 01:56:00

A slowed-down bluesy celebration of spring, featuring the work of Aaron Copland, Elder Joseph Brackett Jr., Natalie Merchant, Chris Connor, Omar Khayyam, Gerald Manley Hopkins, Louis Armstrong, Abbey Lincoln and many more. Go ahead. Check it out. It's good. You'll like it.

Screenshot_2020-03-29_snowdrops_at_duckduckgo_small

Adagio is a program like none other in your line up.  It's a two-hour weekly assembly of slowed-down bluesy, contemplative, deep and intentional music of all types, with insights and commentary that fills in a fuller picture for listeners.  It's primarily jazz and classical but all genres are welcome.

The signature tinkling of Duke Ellington might lead to something similar by his idol Claude Debussy.  Or you will hear a pairing of Abbey Lincoln and Billy Holiday that makes clear the path the one pioneered and the other paved.  Lester Young might follow up an aria of Vincenzo Bellini that makes it seem the one wrote for the other. 

Adagio is sure to diversify your line up and attract a loyal audience.  It's calming, spacious and cinematic.  And for added flavor we might throw in a poem read by an actor, or a snippet of a lecture.

It features selections primarily from North America and Europe, from the late 20th and 21st century.  But the organizing principle of Adagio is neither genre, place nor time.  It is depth of mood, and the magnetism of deep, slow, intentional music.

Derived from Italian ad agio, meaning at ease, Adagio is a two-hour respite from the race of modern times, one whose pace is closer to a resting heart beat.  And while tempo is crucial it’s not merely a matter of b/p/m.  Selections are intended to captivate listeners; (and in secret) get them to stop what they’re doing, tilt their heads, turn it up and lean in.

It’s contemplative music but not—god forbid—intellectual.  Above all else, Adagio selections are melodic.

The program has its own website, RadioAdagio.org, (currently under construction) featuring current and archived shows with photographs, playlists and references.

For five years Adagio was a standout in the weekly line up at WERU in Downeast Maine, and could always be counted on for strong quarterly fund raising.

Adagio, Parts I and II, 58 minutes exactly each week, posted by 08.00 Mondays.  When you subscribe I’ll make you a 60-second promo with time and date stamp.  And when you’re in pledge week and I’ll happily make you a compelling pitch. 

As a print journalist for 45 years, lately writing and producing radio documentaries, I can assure you well-written scripts and accurate, in-depth commentary.

Go ahead.  Check it out.  It’s good.  You’ll like it.   You may even hear something that really moves you.

Plug it in where ever you need it but the program is aired to best effect anytime weeknights six p.m. to the wee hours, or Sunday afternoon/evenings.

Questions?  You need but ask.  drewdarling@gmail.com.

Renegade in a Powdered Wig

From Drew Darling | Part of the Adagio series | 01:56:00

In honor of his birthday this week, a two-hour exploration of the rebellious genius of J. S. Bach. You've heard his greatest hits a hundred times. But here you may hear selections for the first time and be introduced to the man you've never really known.

Screenshot_2020-02-06_johann_sebastian_bach_biography__music__facts_small Adagio is like no other program in your line up.  It's a two-hour weekly assembly of slowed-down bluesy, contemplative, deep and intentional music of all types, with insights and commentary that fills in a fuller picture for listeners.  It's primarily jazz and classical but all genres are welcome.

The signature tinkling of Duke Ellington might lead to something similar by his idol Claude Debussy.  Or you will hear a pairing of Abbey Lincoln and Billy Holiday that makes clear the path the one pioneered and the other paved.  Lester Young might follow up an aria of Vincenzo Bellini that makes it seem the one wrote for the other. 

Adagio is sure to diversify your line up and attract a loyal audience.  It's calming, spacious and cinematic.  And for added flavor we might throw in a poem read by an actor, or a snippet of a lecture.

It features selections primarily from North America and Europe, from the late 20th and 21st century.  But the organizing principle of Adagio is neither genre, place nor time.  It is depth of mood, and the magnetism of deep, slow, intentional music.

Derived from Italian ad agio, meaning at ease, Adagio is a two-hour respite from the race of modern times, one whose pace is closer to a resting heart beat.  And while tempo is crucial it’s not merely a matter of b/p/m.  Selections are intended to captivate listeners; (and in secret) get them to stop what they’re doing, tilt their heads, turn it up and lean in.

It’s contemplative music but not—god forbid—intellectual.  Above all else, Adagio selections are melodic.

The program has its own website, RadioAdagio.org, (currently under construction) featuring current and archived shows with photographs, playlists and references.

For five years Adagio was a standout in the weekly line up at WERU in Downeast Maine, and could always be counted on for strong quarterly fund raising.

Adagio, Parts I and II, 58 minutes exactly each week, posted by 08.00 Mondays.  When you subscribe I’ll make you a 60-second promo with time and date stamp.  And when you’re in pledge week and I’ll happily make you a compelling pitch. 

As a print journalist for 45 years, lately writing and producing radio documentaries, I can assure you well-written scripts and accurate, in-depth commentary.

Go ahead.  Check it out.  It’s good.  You’ll like it.   You may even hear something that really moves you.

Plug it in where ever you need it but the program is aired to best effect anytime weeknights six p.m. to the wee hours, or Sunday afternoon/evenings.

Questions?  You need but ask.  drewdarling@gmail.com.

Vox Feminae

From Drew Darling | Part of the Adagio series | 01:56:00

Beginning with Pythagoras in the fifth century BCE, women's voices of healing, ecstasy, fertility and trance, were pushed out of Western music. We explore the history, the reasons, the personalities, the failures of it, and the glories of women in song with a little background and a lot of exquisite music. Go head. Check it out. It's good. You'll like it. You might even hear something that really moves you. That's the whole idea, after all.

Playing
Vox Feminae
From
Drew Darling

Screenshot_2020-03-23_opera_proibita_-_cecilia_bartoli__marc_minkowski_songs__reviews__credits_allmusic_small Beginning with Pythagoras in the fifth century BCE, women's voices of healing, ecstasy, fertility and trance, were pushed out of Western music. We explore the history, the reasons, the personalities, the failures of it, and the glories of women in song with a little background and a lot of exquisite music. Go head. Check it out. It's good. You'll like it. You might even hear something that really moves you. That's the whole idea, after all.

Adagio (Series)

Produced by Drew Darling

Most recent piece in this series:

Prisoner of Love

From Drew Darling | Part of the Adagio series | 58:00

Screenshot_2020-05-18_prison-of-love_jpg__webp_image__529___394_pixels__small Adagio is like no other program in your line up.  It's a one-hour weekly assembly of slowed-down bluesy, contemplative, deep and intentional music of all types, with insights and commentary that fills in a fuller picture for listeners.  It's primarily jazz and classical but all genres are welcome.

One week we explore the early works of Nina Simone, the next we might look into the rebellious life of that renegade J. S. Bach.  Some programs will be devoted to a single performer, others feature a range of artists.  The signature tinkling of Duke Ellington might lead by way of explanation to something similar by his idol Claude Debussy.  Or you will hear a pairing of Abbey Lincoln and Billy Holiday that makes clear the path the one pioneered and the other paved.  Lester Young might follow up an aria of Vincenzo Bellini that makes it seem the one wrote for the other. 

Adagio is sure to diversify your line up and attract a loyal audience.  It's calming, spacious and cinematic.  And for added flavor we might throw in a poem read by an actor, or a snippet of a lecture.

It features selections primarily from North America and Europe, from the late 20th and 21st century.  But the organizing principle of Adagio is neither genre, place nor time.  It is depth of mood, and the magnetism of deep, slow, intentional music.

Derived from Italian ad agio, meaning at ease, Adagio is a respite from the race of modern times, one whose pace is closer to a resting heart beat.  And while tempo is crucial it’s not merely a matter of b/p/m.  Selections are intended to captivate listeners; (and in secret) get them to stop what they’re doing, tilt their heads, turn it up and lean in.

It’s contemplative music but not—god forbid—intellectual.  Above all else, Adagio selections are melodic.

The program has its own website radioadagio.com featuring current and archived shows with photographs, playlists and references.

For five years Adagio was a standout in the weekly line up at WERU in Downeast Maine, and could always be counted on for strong quarterly fund raising.

Adagio, 58 minutes exactly each week, posted by 08.00 Mondays.  When you subscribe I’ll make you a 60-second promo with time and date stamp.  And when you’re in pledge week and I’ll happily make you a compelling pitch. 

As a print journalist for 45 years, lately writing and producing radio documentaries, I can assure you well-written scripts and accurate, in-depth commentary.

Go ahead.  Check it out.  It’s good.  You’ll like it.   You may even hear something that really moves you.

Plug it in where ever you need it but the program is aired to best effect anytime weeknights six p.m. to the wee hours, or Sunday afternoon/evenings.

Questions?  You need but ask.  drewdarling@gmail.com.

Waves of The Same Sea

From Drew Darling | Part of the Adagio series | 01:56:00

Encouraging words and beautiful music to help get us all through this together.

Screenshot_2020-03-29_we_are_all_in_this_together_at_duckduckgo_small Adagio is like no other program in your line up.  It's a two-hour weekly assembly of slowed-down bluesy, contemplative, deep and intentional music of all types, with insights and commentary that fills in a fuller picture for listeners.  It's primarily jazz and classical but all genres are welcome.

The signature tinkling of Duke Ellington might lead to something similar by his idol Claude Debussy.  Or you will hear a pairing of Abbey Lincoln and Billy Holiday that makes clear the path the one pioneered and the other paved.  Lester Young might follow up an aria of Vincenzo Bellini that makes it seem the one wrote for the other. 

Adagio is sure to diversify your line up and attract a loyal audience.  It's calming, spacious and cinematic.  And for added flavor we might throw in a poem read by an actor, or a snippet of a lecture.

It features selections primarily from North America and Europe, from the late 20th and 21st century.  But the organizing principle of Adagio is neither genre, place nor time.  It is depth of mood, and the magnetism of deep, slow, intentional music.

Derived from Italian ad agio, meaning at ease, Adagio is a two-hour respite from the race of modern times, one whose pace is closer to a resting heart beat.  And while tempo is crucial it’s not merely a matter of b/p/m.  Selections are intended to captivate listeners; (and in secret) get them to stop what they’re doing, tilt their heads, turn it up and lean in.

It’s contemplative music but not—god forbid—intellectual.  Above all else, Adagio selections are melodic.

The program has its own website, RadioAdagio.org, (currently under construction) featuring current and archived shows with photographs, playlists and references.

For five years Adagio was a standout in the weekly line up at WERU in Downeast Maine, and could always be counted on for strong quarterly fund raising.

Adagio, Parts I and II, 58 minutes exactly each week, posted by 08.00 Mondays.  When you subscribe I’ll make you a 60-second promo with time and date stamp.  And when you’re in pledge week and I’ll happily make you a compelling pitch. 

As a print journalist for 45 years, lately writing and producing radio documentaries, I can assure you well-written scripts and accurate, in-depth commentary.

Go ahead.  Check it out.  It’s good.  You’ll like it.   You may even hear something that really moves you.

Plug it in where ever you need it but the program is aired to best effect anytime weeknights six p.m. to the wee hours, or Sunday afternoon/evenings.

Questions?  You need but ask.  drewdarling@gmail.com.

What's Going On

From Drew Darling | Part of the Adagio series | 58:00

An exploration of Marvin Gaye’s magnus opus, What's Going On--a portrait of American life that had as much to tell us about ourselves nearly 50 years ago as it does today.

Screenshot_2020-04-12_slide_409216_5137280_free_jpg__jpeg_image__1200___913_pixels__-_scaled__87___small An exploration of Marvin Gaye’s magnus opus, What's Going On--a portrait of American life that had as much to tell us about ourselves nearly 50 years ago as it does today.

The United States of America v. Billie Holiday

From Drew Darling | Part of the Adagio series | 58:00

A look into Billie Holiday's last year, and those whose mission it was to silence her.

Screenshot_2020-04-26_crazy-they-call-me-4_jpg__webp_image__727___994_pixels__-_scaled__83___small Adagio is like no other program in your line up.  It's a one-hour weekly assembly of slowed-down bluesy, contemplative, deep and intentional music of all types, with insights and commentary that fills in a fuller picture for listeners.  It's primarily jazz and classical but all genres are welcome.

One week we explore the early works of Nina Simone, the next we might look into the rebellious life of that renegade J. S. Bach.  Some programs will be devoted to a single performer, others feature a range of artists.  The signature tinkling of Duke Ellington might lead by way of explanation to something similar by his idol Claude Debussy.  Or you will hear a pairing of Abbey Lincoln and Billy Holiday that makes clear the path the one pioneered and the other paved.  Lester Young might follow up an aria of Vincenzo Bellini that makes it seem the one wrote for the other. 

Adagio is sure to diversify your line up and attract a loyal audience.  It's calming, spacious and cinematic.  And for added flavor we might throw in a poem read by an actor, or a snippet of a lecture.

It features selections primarily from North America and Europe, from the late 20th and 21st century.  But the organizing principle of Adagio is neither genre, place nor time.  It is depth of mood, and the magnetism of deep, slow, intentional music.

Derived from Italian ad agio, meaning at ease, Adagio is a respite from the race of modern times, one whose pace is closer to a resting heart beat.  And while tempo is crucial it’s not merely a matter of b/p/m.  Selections are intended to captivate listeners; (and in secret) get them to stop what they’re doing, tilt their heads, turn it up and lean in.

It’s contemplative music but not—god forbid—intellectual.  Above all else, Adagio selections are melodic.

The program has its own website radioadagio.com featuring current and archived shows with photographs, playlists and references.

For five years Adagio was a standout in the weekly line up at WERU in Downeast Maine, and could always be counted on for strong quarterly fund raising.

Adagio, 58 minutes exactly each week, posted by 08.00 Mondays.  When you subscribe I’ll make you a 60-second promo with time and date stamp.  And when you’re in pledge week and I’ll happily make you a compelling pitch. 

As a print journalist for 45 years, lately writing and producing radio documentaries, I can assure you well-written scripts and accurate, in-depth commentary.

Go ahead.  Check it out.  It’s good.  You’ll like it.   You may even hear something that really moves you.

Plug it in where ever you need it but the program is aired to best effect anytime weeknights six p.m. to the wee hours, or Sunday afternoon/evenings.

Questions?  You need but ask.  drewdarling@gmail.com.