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Playlist: mn history

Compiled By: Ben Heath

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Manure-Covered Farmers and Other Acts of Powerline Protest

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 07:15

On March 5, 1978 in subzero temperatures, about 10,000 farmers marched across Pope County, Minn. in a staged funeral procession to mourn the death of Justice. The funeral, complete with horse-drawn hearse and giant puppets, was just one episode in the 6-year protest movement to stop the routing and construction of a high-voltage powerline through Western Central Minnesota.

With the help of archived audio from the Minnesota Historical Society's Oral History Project, KFAI's Charlotte Colantti shares a short history of rural civil disobedience in Minnesota.

Support for MinneCulture on KFAI comes from the Minnesota Arts and Cultural Heritage Fund.

Protest-sign_small On March 5, 1978 in subzero temperatures, about 10,000 farmers marched across Pope County, Minn. in a staged funeral procession to mourn the death of Justice. The funeral, complete with horse-drawn hearse and giant puppets, was just one episode in the 6-year protest movement to stop the routing and construction of a high-voltage powerline through Western Central Minnesota. With the help of archived audio from the Minnesota Historical Society's Oral History Project, KFAI's Charlotte Colantti shares a short history of rural civil disobedience in Minnesota. Support for MinneCulture on KFAI comes from the Minnesota Arts and Cultural Heritage Fund.

The Master of Deception: John Ivan-Palmer Remembers His Magician Father in New Memoir

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:56

The Minneapolis of the 1950's offered a thriving entertainment scene that lured men and women with money to spend into dozens of theaters and burlesque clubs. Variety performers arrived from all over the country, contortionists, jugglers, ventriloquists, dancers--and a magician with a Clark Gable mustache known as the Master of Deception. In 2020, the magician's son, John-Ivan Palmer, wrote about his father Jack Pyle and the era of variety floor show entertainments in his memoir "The Master of Deception: A Son Searches for His Father in the House of Illusion." Britt Aamodt produced the story.

Master_photo_1_small The Minneapolis of the 1950's offered a thriving entertainment scene that lured men and women with money to spend into dozens of theaters and burlesque clubs. Variety performers arrived from all over the country, contortionists, jugglers, ventriloquists, dancers--and a magician with a Clark Gable mustache known as the Master of Deception. In 2020, the magician's son, John-Ivan Palmer, wrote about his father Jack Pyle and the era of variety floor show entertainments in his memoir "The Master of Deception: A Son Searches for His Father in the House of Illusion." Britt Aamodt produced the story.

A Brief History of Women in Bars: A Minnesota Story in Three Rounds

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 45:10

One hundred years ago, two major constitutional amendments went into effect. The 18th marked the start of Prohibition and the 19th granted many women the right to vote. It wasn’t a coincidence that these laws went into effect adjacent to one another. The movements were linked in some surprising ways. In this new documentary, “A Brief History of Women in Bars: A Minnesota Story in Three Rounds,” Fulbright Fellow, historian, and podcaster Katie Thornton looks at how the state’s temperance movement set the stage for its women’s suffrage movement.

1863_saloon_edited_small

One hundred years ago, two major constitutional amendments went into effect. The 18th marked the start of Prohibition and the 19th granted many women the right to vote. It wasn’t a coincidence that these laws went into effect adjacent to one another. The movements were linked in some surprising ways.

In this new documentary, “A Brief History of Women in Bars: A Minnesota Story in Three Rounds,” Fulbright Fellow, historian, and podcaster Katie Thornton looks at how the state’s temperance movement set the stage for its women’s suffrage movement. But she also looks at how temperance leaders—and, by proxy, many early suffragists—failed to engage many women who weren't wealthy, White, Anglo-Saxon Protestants. And the Minnesota women who didn’t fit that bill empowered themselves in other ways—sometimes through the economic and social opportunities presented by the alcohol industry.

Fighting Back: The Rise of Anti-Racist Action in Minneapolis

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 54:37

In the days after Minneapolis police killed George Floyd, youth-led protests in the city helped spark rebellions around the globe. The police, military, and white supremacist groups all responded. President Trump blamed the protests on “antifa” and called for participants to be labeled terrorists.

Anti-Racist Action (ARA) started in Minneapolis and is a predecessor to the crews often now called antifa. ARA started in 1987 with a multiracial group of teenage skinheads who fought the rising white power movement. It grew into a network of groups in at least 120 towns and cities across the U.S. and Canada. ARA’s first principle was: “We go where they go. Never let the Nazis have the streets.” They eventually applied that not only to white power organizing, but to homophobic and anti-abortion organizing, and to police violence, which they saw as all connected.

Told through vivid first-person accounts, archival audio, and music from the era, “Fighting Back: The Rise of Anti-Racist Action in Minneapolis” starts under the railroad tracks in Uptown, Minneapolis and traces a movement that continues to shape the U.S. to this day.

The_baldies_1_-_credit_kara_la_lomia_small In the days after Minneapolis police killed George Floyd, youth-led protests in the city helped spark rebellions around the globe. The police, military, and white supremacist groups all responded. President Trump blamed the protests on “antifa” and called for participants to be labeled terrorists. Anti-Racist Action (ARA) started in Minneapolis and is a predecessor to the crews often now called antifa. ARA started in 1987 with a multiracial group of teenage skinheads who fought the rising white power movement. It grew into a network of groups in at least 120 towns and cities across the U.S. and Canada. ARA’s first principle was: “We go where they go. Never let the Nazis have the streets.” They eventually applied that not only to white power organizing, but to homophobic and anti-abortion organizing, and to police violence, which they saw as all connected. Told through vivid first-person accounts, archival audio, and music from the era, “Fighting Back: The Rise of Anti-Racist Action in Minneapolis” starts under the railroad tracks in Uptown, Minneapolis and traces a movement that continues to shape the U.S. to this day.

Stay Young, Go Dancing

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 30:00

The most legendary venue in Minnesota history? It's not First Avenue, nor is it anywhere near the Twin Cities. Deep in the middle of the corn and soybean fields of rural Sibley County, behind a chain link fence topped with barbed-wire, sits a massive building complex that was once considered by some to be the polka capital of the world: The Gibbon Ballroom. "Stay Young, Go Dancing" presents the colorful history of this now infamous Midwest venue, as told through the voices of the musicians, dancers, and local residents who loved it.

02_polka_dancers_small The most legendary venue in Minnesota history? It's not First Avenue, nor is it anywhere near the Twin Cities. Deep in the middle of the corn and soybean fields of rural Sibley County, behind a chain link fence topped with barbed-wire, sits a massive building complex that was once considered by some to be the polka capital of the world: The Gibbon Ballroom. "Stay Young, Go Dancing" presents the colorful history of this now infamous Midwest venue, as told through the voices of the musicians, dancers, and local residents who loved it.

One Night Only: The Beatles in Minnesota

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:41

August 21, 1965, the Beatles invaded Metropolitan Stadium for their first ever Minnesota concert, bringing together a high school photographer with a press pass, a teen dressed to impress, a Catholic schoolgirl and a newspaper intern posing as a waitress for a day they'd never forget. Who knew then that it would be the Fabs only Minnesota concert? Britt Aamodt has the story.

Beatles_minneapolis_1965_small August 21, 1965, the Beatles invaded Metropolitan Stadium for their first ever Minnesota concert, bringing together a high school photographer with a press pass, a teen dressed to impress, a Catholic schoolgirl and a newspaper intern posing as a waitress for a day they'd never forget. Who knew then that it would be the Fabs only Minnesota concert? Britt Aamodt has the story.

To a Generation, This Minnesotan Was Lois Lane

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:25

Born in Minneapolis in 1920, Noel Neill watched the Andrew Sisters leave town and achieve fame. Neill wanted that too. So at age 17, she moved to Los Angeles, won a singing contest and soon appeared in movies. Then she snared the role of Lois Lane, embodying the role of Superman's chaste sidekick for a generation. KFAI's Britt Aamodt reports.

Noel_neill_book_cover_small Born in Minneapolis in 1920, Noel Neill watched the Andrew Sisters leave town and achieve fame. Neill wanted that too. So at age 17, she moved to Los Angeles, won a singing contest and soon appeared in movies. Then she snared the role of Lois Lane, embodying the role of Superman's chaste sidekick for a generation. KFAI's Britt Aamodt reports.

The Radical Edge of Feminist Theater

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 03:31

A mini-history of Minnesota's first women-only theater company. Formed in 1976, At the Foot of Mountain Theater staged plays written by women and transformed those written by men. KFAI's Dixie Treichel reports.

At_the_foot_of_the_mountain_1_small A mini-history of Minnesota's first women-only theater company. Formed in 1976, At the Foot of Mountain Theater staged plays written by women and transformed those written by men. KFAI's Dixie Treichel reports.

The Bitter 1890 Census Rivalry

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:38

Minneapolis and St. Paul are known as the Twin Cities, but relationships weren’t always so sisterly. During the summer of the 1890 census, both cities worked themselves into a frenzy over which one would prove bigger. The resulting tale of trickery feels worthy of a crime novel. Producer Emily Bright has this story of a Twin Cities throw-down.

1890_census_headlines_small Minneapolis and St. Paul are known as the Twin Cities, but relationships weren’t always so sisterly. During the summer of the 1890 census, both cities worked themselves into a frenzy over which one would prove bigger. The resulting tale of trickery feels worthy of a crime novel. Producer Emily Bright has this story of a Twin Cities throw-down.

The Roots of Gay Liberation in Minnesota

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:40

F.R.E.E. was Minnesota’s first queer organization. It stands for "Fight Repression of Erotic Expression." The group began on May 18, 1969 when Koreen Phelps and Stephen Ihrig started a community class at the Coffeehouse Extempore on the West Bank in Minneapolis, entitled “The Homosexual Revolution". KFAI's Dixie Treichel speaks with LGBTQ historian Noah Barth about F.R.E.E. and the lives of these activists.

(Archival audio credits: Koreen Phelps interview, 1993, excerpts courtesy of the Minnesota Historical Society; Stephen Ihrig interview, 2018, excerpts courtesy of Noah Barth)

Free_article_small F.R.E.E. was Minnesota’s first queer organization. It stands for "Fight Repression of Erotic Expression." The group began on May 18, 1969 when Koreen Phelps and Stephen Ihrig started a community class at the Coffeehouse Extempore on the West Bank in Minneapolis, entitled “The Homosexual Revolution". KFAI's Dixie Treichel speaks with LGBTQ historian Noah Barth about F.R.E.E. and the lives of these activists. (Archival audio credits: Koreen Phelps interview, 1993, excerpts courtesy of the Minnesota Historical Society; Stephen Ihrig interview, 2018, excerpts courtesy of Noah Barth)

Exacting the Legacy of the Old Anoka Hospital

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:26

It’s been 20 years since the Anoka State Hospital closed its doors. It was replaced by a newer facility for those dealing with mental illness in the Twin Cities’ north-metro. But decades later, the old campus still gets a lot of attention, namely for its sometimes unsavory reputation. As KFAI's Mike Moen reports, there’s been recent efforts to tell a more honest history of the hospital - both good and bad.

Mvimg_20190710_134738349_small It’s been 20 years since the Anoka State Hospital closed its doors. It was replaced by a newer facility for those dealing with mental illness in the Twin Cities’ north-metro. But decades later, the old campus still gets a lot of attention, namely for its sometimes unsavory reputation. As KFAI's Mike Moen reports, there’s been recent efforts to tell a more honest history of the hospital - both good and bad.

Fred Case: Photographing Rock Icons in the 1970s

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 06:25

“When the Stones Came to Town: Rock 'n' Roll Photos from the 1970s” is a book by Fred Case and Eric Dregni, published by the Minnesota Historical Society. Minneapolis photographer Fred Case shot hundreds of photos of rock and blues musicians in the 1970’s, both in the Twin Cities and when he traveled. His images capture the stars in action onstage and behind the scenes. His stories about photographing and talking with the icons are relayed in a new book by Minneapolis writer Eric Dregni. (photograph courtesy of Fred Case) Story produced by Dixie Treichel.

Cover_stones_by_fred_case_small “When the Stones Came to Town: Rock 'n' Roll Photos from the 1970s” is a book by Fred Case and Eric Dregni, published by the Minnesota Historical Society. Minneapolis photographer Fred Case shot hundreds of photos of rock and blues musicians in the 1970’s, both in the Twin Cities and when he traveled. His images capture the stars in action onstage and behind the scenes. His stories about photographing and talking with the icons are relayed in a new book by Minneapolis writer Eric Dregni. (photograph courtesy of Fred Case) Story produced by Dixie Treichel.

Uncivil Women

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:20

He was a "delicate looking" first sergeant, yet he led other soldiers at Minnesota's Fort Snelling during the U.S. Civil War. It turns out "he" was Mary McDonald, one of many women who served undercover in war. So did Frances Clayton (pictured) who fought next to her husband in battle. KFAI's Britt Aamodt reports.

Civil_women_claytonfrancis_credit_wayne_jorgenson_small He was a "delicate looking" first sergeant, yet he led other soldiers at Minnesota's Fort Snelling during the U.S. Civil War. It turns out "he" was Mary McDonald, one of many women who served undercover in war. So did Frances Clayton (pictured) who fought next to her husband in battle. KFAI's Britt Aamodt reports.

Revealing Black Life In The 1940s

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 03:02

After he died, John Glanton's photo negatives were forgotten. But then a relative unearthed those images from a trash bag in a garage. The result: 800 photos of black Minnesotans at weddings, churches and bars in 1940s. KFAI's Kayla Song reports.

9781681340944_005_iart_small After he died, John Glanton's photo negatives were forgotten. But then a relative unearthed those images from a trash bag in a garage. The result: 800 photos of black Minnesotans at weddings, churches and bars in 1940s. KFAI's Kayla Song reports.

John Cage and the Public Radio Pledge Drive

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 07:16

John Cage is best known as the composer of 4'33" — a piece consisting of four minutes and thirty-three seconds of ambient noise. In 1979, the avant grade composer radicalized the public radio membership drive with a two-hour, one-time performance on a tiny station in Minneapolis. KFAI's Mason Butler reports.

Paragraphs_of_fresh_air_correspondence_001_small John Cage is best known as the composer of 4'33" — a piece consisting of four minutes and thirty-three seconds of ambient noise. In 1979, the avant grade composer radicalized the public radio membership drive with a two-hour, one-time performance on a tiny station in Minneapolis. KFAI's Mason Butler reports.

Cecil E. Newman: A Strong Black Leader

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:23

Not long after the turn of the 20th century, a grandson of former slaves headed north to Minnesota from Kansas City with about a dollar in his pocket. Cecil E. Newman would go on to found one of the Twin Cities’ most beloved African American institutions: The Minnesota Spokesman-Recorder. The weekly newspaper helped launch the careers of many prominent black Minnesotans including photographer Gordon Parks. This year, it celebrates 80 years in circulation, making it the oldest-operating, black-owned business in the state. In this episode of "MinneHistory," KFAI's Jess Mador brings us the story of how Newman’s quietly powerful editorials influenced the national debate on civil rights.

Cecil_newman_with_u Not long after the turn of the 20th century, a grandson of former slaves headed north to Minnesota from Kansas City with about a dollar in his pocket. Cecil E. Newman would go on to found one of the Twin Cities’ most beloved African American institutions: The Minnesota Spokesman-Recorder. The weekly newspaper helped launch the careers of many prominent black Minnesotans including photographer Gordon Parks. This year, it celebrates 80 years in circulation, making it the oldest-operating, black-owned business in the state. In this episode of "MinneHistory," KFAI's Jess Mador brings us the story of how Newman’s quietly powerful editorials influenced the national debate on civil rights.

Milwaukee Avenue: From 'Sorriest-Looking' Houses to Historic Charm

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:32

In the 1970s, urban renewal meant bulldozing old buildings. But in the Seward neighborhood of South Minneapolis, activists resisted city efforts to demolish a four-block stretch of dilapidated houses on a street named Milwaukee Avenue. KFAI's Art Hughes tell us how a group of hippies and historic preservationists saved a city neighborhood.

Milwaukee_avenue_small In the 1970s, urban renewal meant bulldozing old buildings. But in the Seward neighborhood of South Minneapolis, activists resisted city efforts to demolish a four-block stretch of dilapidated houses on a street named Milwaukee Avenue. KFAI's Art Hughes tell us how a group of hippies and historic preservationists saved a city neighborhood.

A Toast to the Original Champagne Lady

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:57

During the Great Depression, her voice lifted spirits. During the big band era, her beauty radiated from the stage of St. Paul's Prom Ballroom. But Lois Best Herman will best be remembered as band leader Lawrence Welk's "Original Champagne Lady." In October 2016, Herman died at the age of 98. KFAI's Britt Aamodt has this appreciation.

Loisbesthermanmnhalloffame_small During the Great Depression, her voice lifted spirits. During the big band era, her beauty radiated from the stage of St. Paul's Prom Ballroom. But Lois Best Herman will best be remembered as band leader Lawrence Welk's "Original Champagne Lady." In October 2016, Herman died at the age of 98. KFAI's Britt Aamodt has this appreciation.

Tattooing by Yurkew: Minneapolis' First Tattoo Shop

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:50

Tattoo shops are commonplace in Minneapolis now, but there was a time in the not-too-distant past when tattooing was illegal. It took the tenacity of one man to rewrite the rules and open Minneapolis' first licensed shop in 1976. Produced by KFAI's Mark Koerner and Molly Weatherall.

Tattooing_yurkew_photo_small Tattoo shops are commonplace in Minneapolis now, but there was a time in the not-too-distant past when tattooing was illegal. It took the tenacity of one man to rewrite the rules and open Minneapolis' first licensed shop in 1976. Produced by KFAI's Mark Koerner and Molly Weatherall.

Ghosts of the Chinese Exclusion Act

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:00

President Trump’s efforts to halt immigration from specific countries isn’t new. In the 19th century, the United States prohibited working-class Chinese men, women and children from entering the country. A new play at the History Theatre in St. Paul tells the story of one man who maneuvered through a legal loophole to settle in Minnesota. KFAI’s Diane Richard reports.

Paper-dreams_chin_small President Trump’s efforts to halt immigration from specific countries isn’t new. In the 19th century, the United States prohibited working-class Chinese men, women and children from entering the country. A new play at the History Theatre in St. Paul tells the story of one man who maneuvered through a legal loophole to settle in Minnesota. KFAI’s Diane Richard reports.

Meow! The Kids Book That Changed The Genre Forever

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:39

Decades before "Cat in the Hat," another children’s book surprised readers with its inventiveness. "Millions of Cats," by Minnesota's Wanda Gag, combined illustration and text on the same page in a way people hadn't seen before. KFAI's Emily Bright reports.

Wanda_gag_photo_2_028_small Decades before "Cat in the Hat," another children’s book surprised readers with its inventiveness. "Millions of Cats," by Minnesota's Wanda Gag, combined illustration and text on the same page in a way people hadn't seen before. KFAI's Emily Bright reports.

Limestones To Go Historic?

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:01

In the 19th century, St. Paul's Uppertown and West Seventh neighborhood was home to several limestone quarries, which led to German immigrants building limestone houses. Today, there's a movement to preserve five of those historic structures. KFAI's Bobbie Scott reports.

Limestone_houses_photos_small In the 19th century, St. Paul's Uppertown and West Seventh neighborhood was home to several limestone quarries, which led to German immigrants building limestone houses. Today, there's a movement to preserve five of those historic structures. KFAI's Bobbie Scott reports.

The Hidden Story of Fur

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:41

In this episode of "MinneHistory," we visit The North West Company Fur Post – built by French “voyageurs” and British traders at the beginning of the 1800s. The site is a reminder of the days when a seemingly endless demand for fur fashions in Europe landed Minnesota’s Ojibwe and Dakota people at the center of a global, transAtlantic industry. KFAI's Jess Mador has the story.

North_west_company_fur_post__courtesy_mnhs_small In this episode of "MinneHistory," we visit The North West Company Fur Post – built by French “voyageurs” and British traders at the beginning of the 1800s. The site is a reminder of the days when a seemingly endless demand for fur fashions in Europe landed Minnesota’s Ojibwe and Dakota people at the center of a global, transAtlantic industry. KFAI's Jess Mador has the story.

St. Paul's Stone Saloon

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 03:54

These days, local craft beer is all the rage, and new taprooms are popping up all over the Twin Cities. But a look into the past reveals there's nothing new about Minnesota-made beer. Producer Jess Mador takes us to the “Stone Saloon,” a popular 19th century watering hole, and one of the oldest-surviving buildings in St. Paul.

Jess_saloon2_small These days, local craft beer is all the rage, and new taprooms are popping up all over the Twin Cities. But a look into the past reveals there's nothing new about Minnesota-made beer. Producer Jess Mador takes us to the “Stone Saloon,” a popular 19th century watering hole, and one of the oldest-surviving buildings in St. Paul.

The Pillsbury A Mill

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:31

The Pillsbury A Mill is a National Historic Landmark, and in the midst of a $150 million redevelopment project. But back in the 1800s, it was the biggest–and best–flour mill in the world, earning Minneapolis its “Mill City” nickname. Producer Jess Mador has more.

Jess_mill1small_small The Pillsbury A Mill is a National Historic Landmark, and in the midst of a $150 million redevelopment project. But back in the 1800s, it was the biggest–and best–flour mill in the world, earning Minneapolis its “Mill City” nickname. Producer Jess Mador has more.

The Freedom Riders of 1961

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:44

The Freedom Riders of 1961 were upholding the law. So why were they being arrested as soon as they got off the buses in Jackson, Mississippi? KFAI's Britt Aamodt tracked down Claire O'Conner, a University of Minnesota student, who in June 1961, rode a Greyhound into the heart of Jim Crow.

Britt_freedom_rider_small_small The Freedom Riders of 1961 were upholding the law. So why were they being arrested as soon as they got off the buses in Jackson, Mississippi? KFAI's Britt Aamodt tracked down Claire O'Conner, a University of Minnesota student, who in June 1961, rode a Greyhound into the heart of Jim Crow.

James J. Hill's Minnesota legacy

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:17

James J. Hill is known as the “Empire Builder.” His vision for a Great Northern Railway in the 19th century helped put Minnesota on the map. Producer Jess Mador looks back at his legacy—from the back of one of Hill’s original railroad cars.

Jjhillsmall_small James J. Hill is known as the “Empire Builder.” His vision for a Great Northern Railway in the 19th century helped put Minnesota on the map. Producer Jess Mador looks back at his legacy—from the back of one of Hill’s original railroad cars.

Dred Scott's time at Fort Snelling

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:44

Historic Fort Snelling played a pivotal role in some of the biggest moments in American history–including a famous battle over the institution of slavery. In this segment, KFAI reporter Jess Mador examines the era when Dred and Harriet Scott lived at the Fort.

Dred_thmb_small Historic Fort Snelling played a pivotal role in some of the biggest moments in American history–including a famous battle over the institution of slavery. In this segment, KFAI reporter Jess Mador examines the era when Dred and Harriet Scott lived at the Fort.

The legendary career of Charles Brin

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:44

Charles Brin has acted both on Broadway and in motion pictures. He was in “Grumpy Old Men” and the Coen Brothers’ “A Serious Man.” His most recent role in the locally produced film “The Jingle Dress,” is as an Ojibwe elder who preaches the importance of change. Diane Richard caught up with Charles at the KFAI studios to learn how storytelling has enriched his life.

Charlesbrin_small Charles Brin has acted both on Broadway and in motion pictures. He was in “Grumpy Old Men” and the Coen Brothers’ “A Serious Man.” His most recent role in the locally produced film “The Jingle Dress,” is as an Ojibwe elder who preaches the importance of change. Diane Richard caught up with Charles at the KFAI studios to learn how storytelling has enriched his life.

Palmer's Bar has a 100-year history

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:47

Paris has Les Deux Magots; Greenwich Village has the Gaslight and Gerde's Folk City: cafes and watering holes that were creative epicenters. In Minneapolis, Palmer's Bar was home of the 1960's folk music explosion. KFAI producer Britt Aamodt visited the 100-year-old West Bank watering hole to learn more.

Palmers4_small Paris has Les Deux Magots; Greenwich Village has the Gaslight and Gerde's Folk City: cafes and watering holes that were creative epicenters. In Minneapolis, Palmer's Bar was home of the 1960's folk music explosion. KFAI producer Britt Aamodt visited the 100-year-old West Bank watering hole to learn more.

Glensheen murders still a mystery

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:28

Built in 1908 by Chester Congdon, the Glensheen Mansion is a lovely estate located on the shore of Lake Superior. Congdon earned his fortune through mining investments at the turn of the century, and his daughter Elizabeth was the last of his seven children to inhabit the estate. On the night of June 28, 1977, she and her nurse Velma Pietila were murdered. Among the suspects were Elizabeth's adopted daughter Marjorie Caldwell, and Marjorie's husband Roger Caldwell. Marjorie was eventually acquitted of the crime, and while Roger Caldwell confessed to the murders, he later professed innocence. Marjorie lives in Arizona where she served prison time for arson. The Glensheen murders remain a mystery, and today the property is owned by the University of Minnesota. KFAI producer Allison Herrera has more about this Duluth mansion.

Glen_bw_small Built in 1908 by Chester Congdon, the Glensheen Mansion is a lovely estate located on the shore of Lake Superior. Congdon earned his fortune through mining investments at the turn of the century, and his daughter Elizabeth was the last of his seven children to inhabit the estate. On the night of June 28, 1977, she and her nurse Velma Pietila were murdered. Among the suspects were Elizabeth's adopted daughter Marjorie Caldwell, and Marjorie's husband Roger Caldwell. Marjorie was eventually acquitted of the crime, and while Roger Caldwell confessed to the murders, he later professed innocence. Marjorie lives in Arizona where she served prison time for arson. The Glensheen murders remain a mystery, and today the property is owned by the University of Minnesota. KFAI producer Allison Herrera has more about this Duluth mansion.

1953 "wardrobe malfunction" leads to run-in with police

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 03:30

In 1953, Minneapolis police were called to the Saddle Bar on Hennepin Avenue when dancer Darlene Labette Varallo experienced a "wardrobe malfunction." KFAI producer Allison Herrera tells recounts the scene, which challenged the city's morality laws.

Darlene2_small In 1953, Minneapolis police were called to the Saddle Bar on Hennepin Avenue when dancer Darlene Labette Varallo experienced a "wardrobe malfunction." KFAI producer Allison Herrera tells recounts the scene, which challenged the city's morality laws.

Minnesota's state capitol fire

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:22

On March 2, 1881, Minnesota's state capitol building caught fire while both houses were in session. As smoke filled the chambers, hundreds fled down the building's single stairway. Fortunately, no one was hurt. In 1985, architect Cass Gilbert was commissioned to design the new state capitol, which stands in St. Paul today. KFAI producer Allison Herrera has more.

Capitol_fire_small On March 2, 1881, Minnesota's state capitol building caught fire while both houses were in session. As smoke filled the chambers, hundreds fled down the building's single stairway. Fortunately, no one was hurt. In 1985, architect Cass Gilbert was commissioned to design the new state capitol, which stands in St. Paul today. KFAI producer Allison Herrera has more.

Wakan Tipi: the center of the universe

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:54

To many people, the bend in the river south of downtown Saint Paul is empty space—a no-man’s land at the base of the bluffs, filled with an underused park and some of the busiest train tracks in the country. But to the Dakota people, this is wakan tipi, the center of the Dakota universe. KFAI’s Bill Lindeke took a tour with Jim Rock and Roxanne Gould, two native American custodians of the area, who have spent years fighting to revitalize and restore this sacred space.

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To many people, the bend in the river south of downtown Saint Paul is empty space—a no-man’s land at the base of the bluffs, filled with an underused park and some of the busiest train tracks in the country. But to the Dakota people, this is wakan tipi, the center of the Dakota universe. KFAI’s Bill Lindeke took a tour with Jim Rock and Roxanne Gould, two native American custodians of the area, who have spent years fighting to revitalize and restore this sacred space.

Joseph Godfrey and his alliance to the Dakota

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:29

Joseph Godfrey was born a slave and sought refuge among the Dakota Indians. Years later, when the U.S.-Dakota war broke out, he joined the fight. KFAI's Allison Herrera has more about this remarkable man.

Josephgodfrey_small Joseph Godfrey was born a slave and sought refuge among the Dakota Indians. Years later, when the U.S.-Dakota war broke out, he joined the fight. KFAI's Allison Herrera has more about this remarkable man.

George Bonga

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:15

George Bonga was born to an Ojibwe mother and an African-American father in 1802. A member of the Leech Lake band of Ojibwe, he became a fur trader, translator and diplomat--negotiating treaties between the Ojibwe and white settlers. Bonga was also an entrepreneur. He opened a lodge on Leech Lake with his wife, and died in 1880. KFAI producer Allison Herrera has more.

Bonga1_small George Bonga was born to an Ojibwe mother and an African-American father in 1802. A member of the Leech Lake band of Ojibwe, he became a fur trader, translator and diplomat--negotiating treaties between the Ojibwe and white settlers. Bonga was also an entrepreneur. He opened a lodge on Leech Lake with his wife, and died in 1880. KFAI producer Allison Herrera has more.

The women of Bohemian Flats

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:33

For more than half a century, the flats along the Mississippi River below the Washington Avenue Bridge were an entry point for new immigrants. Living conditions at Bohemian Flats were spartan at best, and repeated floods and freezing conditions forced many people out. For those who braved the elements, a community evolved. In this story, KFAI producer Allison Herrera tells the story of the women of Bohemian Flats.

Boho3_small For more than half a century, the flats along the Mississippi River below the Washington Avenue Bridge were an entry point for new immigrants. Living conditions at Bohemian Flats were spartan at best, and repeated floods and freezing conditions forced many people out. For those who braved the elements, a community evolved. In this story, KFAI producer Allison Herrera tells the story of the women of Bohemian Flats.

Rondo's Red Caps

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:16

The Rondo neighborhood in St. Paul was the city's largest African-American community until construction of Interstate-94 split it in half. In its heyday, Rondo boasted many black-owned businesses, social clubs and restaurants. Some of the patrons of those establishments were the Red Caps, Pullman and porters who worked at St. Paul's Union Depot. They greeted visitors, assisted people with their luggage and helped weary travelers or lost children find their way. But they were also more than that. Red Caps enhanced the community with their strong work ethic and dedication to service. Red Caps were recently honored at an event commemorating Rondo's 30th anniversary. KFAI's Allison Herrera has the story.

Redcaps_original_small The Rondo neighborhood in St. Paul was the city's largest African-American community until construction of Interstate-94 split it in half. In its heyday, Rondo boasted many black-owned businesses, social clubs and restaurants. Some of the patrons of those establishments were the Red Caps, Pullman and porters who worked at St. Paul's Union Depot. They greeted visitors, assisted people with their luggage and helped weary travelers or lost children find their way. But they were also more than that. Red Caps enhanced the community with their strong work ethic and dedication to service. Red Caps were recently honored at an event commemorating Rondo's 30th anniversary. KFAI's Allison Herrera has the story.

Nellie Stone Johnson

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:58

Nellie Stone Johnson was born in 1905, with an ancestral mix of African-American, Native-American, and Euro-American heritage. She grew up on a farm in rural Minnesota, moved to Minneapolis, and by the late 1930s was one of the most influential forces in the state’s civil rights and labor movements. Nellie was the first women to serve on a national contract committee to negotiate equal pay for women, the first woman vice-president of the Minnesota Culinary Council, the first woman vice-president of the Local 665 Hotel and Restaurant Employees Union, and the first African-American elected to citywide office in Minneapolis, when she won a seat on the Library Board in 1945. In the 1940s she spearheaded the drive to create the Minneapolis Fair Employment Practices department, which was the first of its kind in the nation. Nellie was also was an adviser to Minneapolis mayor Hubert Humphrey, and a founding member of the committee that worked out a merger between the Farmer-Labor Party and the Democratic Party—today’s DFL. She urged feminist groups to include women of color in the ERA fight, and was an activist with the NAACP for more than 60 years. Her political activism continued right up to her death in 2002 at the age of 96. The "Nellie Stone Johnson Scholarship" was founded in 1989, and is awarded annually to minority students from union families. Produced for KFAI by Dixie Treichel. Oral history materials of an interview with Nellie Stone Johnson in 1975 provided courtesy of the Minnesota Historical Society, with assistance from Ryan Barland.

Nelliestonejohnson_small Nellie Stone Johnson was born in 1905, with an ancestral mix of African-American, Native-American, and Euro-American heritage. She grew up on a farm in rural Minnesota, moved to Minneapolis, and by the late 1930s was one of the most influential forces in the state's civil rights and labor movements. Nellie was the first women to serve on a national contract committee to negotiate equal pay for women, the first woman vice-president of the Minnesota Culinary Council, the first woman vice-president of the Local 665 Hotel and Restaurant Employees Union, and the first African-American elected to citywide office in Minneapolis, when she won a seat on the Library Board in 1945. In the 1940s she spearheaded the drive to create the Minneapolis Fair Employment Practices department, which was the first of its kind in the nation. Nellie was also was an adviser to Minneapolis mayor Hubert Humphrey, and a founding member of the committee that worked out a merger between the Farmer-Labor Party and the Democratic Party-today's DFL. She urged feminist groups to include women of color in the ERA fight, and was an activist with the NAACP for more than 60 years. Her political activism continued right up to her death in 2002 at the age of 96. The "Nellie Stone Johnson Scholarship" was founded in 1989, and is awarded annually to minority students from union families. Produced for KFAI by Dixie Treichel. Oral history materials of an interview with Nellie Stone Johnson in 1975 provided courtesy of the Minnesota Historical Society, with assistance from Ryan Barland.

Clarence "Cap" Wigington

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:11

Clarence "Cap" Wigington was the nation's first Black municipal architect, and a senior designer for the city of St. Paul for 34 years. Sixty of his buildings in Minnesota's capitol city are on the historical registry, including the Highland Park Water Tower. KFAI producer Will Wright talks to biographer David Taylor about the architectural legacy of Cap Wigington.

Cap1_small Clarence "Cap" Wigington was the nation's first Black municipal architect, and a senior designer for the city of St. Paul for 34 years. Sixty of his buildings in Minnesota's capitol city are on the historical registry, including the Highland Park Water Tower. KFAI producer Will Wright talks to biographer David Taylor about the architectural legacy of Cap Wigington.

19th Century Drama: The Kate Noonan Murder Trial

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:17

Crimes of passion are not uncommon, but in the late 19th century, a lower-class woman being acquitted of a high-class murder on an insanity defense was unheard of. KFAI producer Bobbie Scott recalls the the 1877 case of Kate Noonan--a young servant girl who fatally shot local businessman Will Siedel, and the unusual case that followed.

Courtroom_small Crimes of passion are not uncommon, but in the late 19th century, a lower-class woman being acquitted of a high-class murder on an insanity defense was unheard of. KFAI producer Bobbie Scott recalls the the 1877 case of Kate Noonan--a young servant girl who fatally shot local businessman Will Siedel, and the unusual case that followed.

Lilydale's history

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:11

St. Paul's Harriet Island is a familiar landmark to many, but Lilydale Regional Park, just down the road, is less well known. This hidden gem boasts a lake, a bluff, waterfalls and wetlands. Visitors come for fossil hunting, biking, ice climbing and bird watching, and more than 600 acres provide habitat for eagles, deer, turtles and wild turkeys. KFAI producer Maria Almli discovers that Lilydale was once home to more than wildlife.

Lilydale_schoolhouse_townhall_small St. Paul's Harriet Island is a familiar landmark to many, but Lilydale Regional Park, just down the road, is less well known. This hidden gem boasts a lake, a bluff, waterfalls and wetlands. Visitors come for fossil hunting, biking, ice climbing and bird watching, and more than 600 acres provide habitat for eagles, deer, turtles and wild turkeys. KFAI producer Maria Almli discovers that Lilydale was once home to more than wildlife.

Minneapolis Pioneers and Soldiers Memorial Cemetery

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 03:56

The Minneapolis Pioneers and Soldiers Memorial Cemetery is the oldest existing cemetery in Minneapolis. Since the first burial in 1853, the cemetery has become the final resting place for many who shaped history, from territorial pioneers to military veterans who served in wars ranging from the War of 1812 to World War I. It's also the resting place for many of the city’s early African-American residents, and for those with ties to the abolitionist movement. Several thousand immigrants, primarily from Scandinavia and Eastern Europe, are buried here, as are many of their children, and in fact, more than half of the cemetery’s 20,000 residents are children. On June 2, 2002, Minneapolis Pioneers and Soldiers Memorial Cemetery was placed on the National Register of Historic Places. KFAI producer Will Wright spoke with Sue Hunter Weir, a volunteer and chairman of Friends of the Cemetery.

Cemetery3_small The Minneapolis Pioneers and Soldiers Memorial Cemetery is the oldest existing cemetery in Minneapolis. Since the first burial in 1853, the cemetery has become the final resting place for many who shaped history, from territorial pioneers to military veterans who served in wars ranging from the War of 1812 to World War I. It's also the resting place for many of the city’s early African-American residents, and for those with ties to the abolitionist movement. Several thousand immigrants, primarily from Scandinavia and Eastern Europe, are buried here, as are many of their children, and in fact, more than half of the cemetery’s 20,000 residents are children. On June 2, 2002, Minneapolis Pioneers and Soldiers Memorial Cemetery was placed on the National Register of Historic Places. KFAI producer Will Wright spoke with Sue Hunter Weir, a volunteer and chairman of Friends of the Cemetery.

St. Peter Claver Catholic Church

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 05:28

St. Peter Claver Catholic Church sits in the heart of the historic Rondo neighborhood in St. Paul. Originally founded by Archbishop John Ireland in 1888, the church is home to one of the first African-American congregations. KFAI's Allison Herrera takes us there to meet this unique parish.

Stpeter_small St. Peter Claver Catholic Church sits in the heart of the historic Rondo neighborhood in St. Paul. Originally founded by Archbishop John Ireland in 1888, the church is home to one of the first African-American congregations. KFAI's Allison Herrera takes us there to meet this unique parish.

William C. Goodridge

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 03:39

William C. Goodridge was a former slave who became a shrewd real estate businessman. He lived in York, Pennsylvania, which served as an important station on the Underground Railroad before moving to St. Anthony, Minnesota. Goodridge was grandfather to the first black child born in St. Anthony, and is interred in the Pioneers and Soldiers Memorial Cemetery in Minneapolis. KFAI producer Will Wright has the story.

Godridge1_small William C. Goodridge was a former slave who became a shrewd real estate businessman. He lived in York, Pennsylvania, which served as an important station on the Underground Railroad before moving to St. Anthony, Minnesota. Goodridge was grandfather to the first black child born in St. Anthony, and is interred in the Pioneers and Soldiers Memorial Cemetery in Minneapolis.  KFAI producer Will Wright has the story.

Socialist Opera House

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:48

Virginia, Minnesota's Socialist Opera House was built by miners who spent $40,000 of their own money--an enormous sum for men who pocketed $2 a day from laboring in the mines. The 800-seat auditorium resounded with Bizet and Verdi, as well as the fiery speeches of traveling socialist lecturers and labor organizers. The hall was remodeled into offices in the 1950s, when a Cold War America rankled at the word "socialist" on the building's facade. Today the building still stands, though altered, as the home of Virginia Co-op Credit Union. KFAI's Britt Aamodt talks to Clarence Ivonen, who as a boy, sat rapt in his balcony seat, and as a man, reported on the decline of the aged beauty for the Mesabi Daily News.

Socialist3_small Virginia, Minnesota's Socialist Opera House was built by miners who spent $40,000 of their own money--an enormous sum for men who pocketed $2 a day from laboring in the mines. The 800-seat auditorium resounded with Bizet and Verdi, as well as the fiery speeches of traveling socialist lecturers and labor organizers. The hall was remodeled into offices in the 1950s, when a Cold War America rankled at the word "socialist" on the building's facade. Today the building still stands, though altered, as the home of Virginia Co-op Credit Union. KFAI's Britt Aamodt talks to Clarence Ivonen, who as a boy, sat rapt in his balcony seat, and as a man, reported on the decline of the aged beauty for the Mesabi Daily News.

Temperance Hall in Cokato, Minnesota

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 04:59

America's Temperance Movement arose from Protestant pulpits in the early 19th century, and took root among Minnesota's rural immigrant populations who eschewed alcohol and tobacco. KFAI producer Britt Aamodt traveled to Cokato, Minnesota to visit Temperance Hall--a community structure built in 1896. The hall engaged members in theater, gymnastics, boxing and more. It was the place to meet and flirt and fall in love--so long as you didn't touch a drop of the hard stuff. Today, the hall is the centerpiece of Temperance Corner, which also includes an old schoolhouse and an immigrant cabin, and plays host to popular seasonal festivals.

Temphall1_small America's Temperance Movement arose from Protestant pulpits in the early 19th century, and took root among Minnesota's rural immigrant populations who eschewed alcohol and tobacco. KFAI producer Britt Aamodt traveled to Cokato, Minnesota to visit Temperance Hall--a community structure built in 1896. The hall engaged members in theater, gymnastics, boxing and more. It was the place to meet and flirt and fall in love--so long as you didn't touch a drop of the hard stuff. Today, the hall is the centerpiece of Temperance Corner, which also includes an old schoolhouse and an immigrant cabin, and plays host to popular seasonal festivals.

Douglas R. Ewart: improvisational artist, musician, composer and teacher

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 06:02

Composer, improviser, sculptor, mask and instrument maker, Douglas R. Ewart is also an educator, lecturer, consultant and visionary. Born in Kingston, Jamaica, he immigrated to Chicago in 1963, and moved to Minnesota in 1989. He traveled to Japan in 1987 as part of a U.S.-Japan Creative Arts Fellowship, where he studied both modern Japanese culture and the traditional Buddhist shakuhachi flute. He has performed around the world in several ensembles, including the Nyahbingi Drum Choir, the Clarinet Choir, Douglas R. Ewart & Inventions, Douglas R. Ewart & Quasar and Douglas R. Ewart & Stringnets. As an instrument-maker, Ewart creates unique varieties of winds and percussion. He also handcrafts masks that have been exhibited at the Museum of Contemporary Art, the Art Institute of Chicago, and elsewhere. This story was produced by Dixie Treichel.

Douglase_small Composer, improviser, sculptor, mask and instrument maker, Douglas R. Ewart is also an educator, lecturer, consultant and visionary. Born in Kingston, Jamaica, he immigrated to Chicago in 1963, and moved to Minnesota in 1989. He traveled to Japan in 1987 as part of a U.S.-Japan Creative Arts Fellowship, where he studied both modern Japanese culture and the traditional Buddhist shakuhachi flute. He has performed around the world in several ensembles, including the Nyahbingi Drum Choir, the Clarinet Choir, Douglas R. Ewart & Inventions, Douglas R. Ewart & Quasar and Douglas R. Ewart & Stringnets. As an instrument-maker, Ewart creates unique varieties of winds and percussion. He also handcrafts masks that have been exhibited at the Museum of Contemporary Art, the Art Institute of Chicago, and elsewhere. This story was produced by Dixie Treichel.

Wilbur B. Foshay: The Man & His Tower, Part I

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:00

It was called the Tower. It didn't need another name. The Foshay Tower, at its founding in 1929 and for nearly a half a century, reigned as the tallest building in Minneapolis. Though the Tower sank into a period of gentle neglect, it was revitalized in 2008 as the upscale W. Hotel-Minneapolis. The same cannot be said for the Tower’s builder, Wilbur B. Foshay, whose comet-like rise as a powerful Midwestern utilities magnate was embodied in the obelisk structure. Just two months after the Tower's dedication, on October 29, 1929, Wilbur Foshay lost everything in the Stock Market Crash, save for his his reputation. That, however, was defamed in 1931, when he stood trial for mail fraud, in what was largely a Ponzi scheme.

Wilbur B. Foshay: The Man & His Tower, Part I

In Part I of this two-part documentary, Foshay: The Man and His Tower, KFAI producer Britt Aamodt explores the meteoric rise of the WB Foshay utilities empire, which at one time stretched from Minnesota to Central America. Combining interviews, historical research and Wilbur Foshay's own words, Aamodt paints a portrait of an era rash big dreams, economic speculation, and a bigger fall—telling the tale of how the Great Depression stripped Wilbur Foshay of his empire.

Foshaybw_small It was called the Tower. It didn't need another name. The Foshay Tower, at its founding in 1929 and for nearly a half a century, reigned as the tallest building in Minneapolis. Though the Tower sank into a period of gentle neglect, it was revitalized in 2008 as the upscale W. Hotel-Minneapolis. The same cannot be said for the Tower's builder, Wilbur B. Foshay, whose comet-like rise as a powerful Midwestern utilities magnate was embodied in the obelisk structure. Just two months after the Tower's dedication, on October 29, 1929, Wilbur Foshay lost everything in the Stock Market Crash, save for his his reputation. That, however, was defamed in 1931, when he stood trial for mail fraud, in what was largely a Ponzi scheme.

In Part I, KFAI producer Britt Aamodt explores the meteoric rise of the WB Foshay utilities empire, which at one time stretched from Minnesota to Central America. Combining interviews, historical research and Wilbur Foshay's own words, Aamodt paints a portrait of an era rash big dreams, economic speculation, and a bigger fall-telling the tale of how the Great Depression stripped Wilbur Foshay of his empire.

In Part II, KFAI producer Britt Aamodt takes up the narrative of Wilbur Foshay, examining his luxurious Minneapolis lifestyle--the houses, the gold faucets in the Tower offices--and how this bumptious businessman picked himself up after the Crash of 1929, only to receive word that he was being indicted for mail fraud. One of the biggest trials of the day took place in Minneapolis, sending Foshay to Leavenworth Prison, and a Minnesota family to their deaths, in the fallout from the trial. Aamodt follows Foshay after his release from prison, when the man who built the Tower sought to rebuild his life in small-town Colorado.

Wilbur B. Foshay: The Man & His Tower, Part II

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:00

It was called the Tower. It didn't need another name. The Foshay Tower, at its founding in 1929 and for nearly a half a century, reigned as the tallest building in Minneapolis. Though the Tower sank into a period of gentle neglect, it was revitalized in 2008 as the upscale W. Hotel-Minneapolis. The same cannot be said for the Tower’s builder, Wilbur B. Foshay, whose comet-like rise as a powerful Midwestern utilities magnate was embodied in the obelisk structure. Just two months after the Tower's dedication, on October 29, 1929, Wilbur Foshay lost everything in the Stock Market Crash, save for his his reputation. That, however, was defamed in 1931, when he stood trial for mail fraud, in what was largely a Ponzi scheme.

In Part II of this documentary, Foshay: The Man and His Tower, KFAI producer Britt Aamodt takes up the narrative of Wilbur Foshay, examining his luxurious Minneapolis lifestyle--the houses, the gold faucets in the Tower offices--and how this bumptious businessman picked himself up after the Crash of 1929, only to receive word that he was being indicted for mail fraud. One of the biggest trials of the day took place in Minneapolis, sending Foshay to Leavenworth Prison, and a Minnesota family to their deaths, in the fallout from the trial. Aamodt follows Foshay after his release from prison, when the man who built the Tower sought to rebuild his life in small-town Colorado.

Foshay_mug_shot_leavenworth_prison_small It was called the Tower. It didn't need another name. The Foshay Tower, at its founding in 1929 and for nearly a half a century, reigned as the tallest building in Minneapolis. Though the Tower sank into a period of gentle neglect, it was revitalized in 2008 as the upscale W. Hotel-Minneapolis. The same cannot be said for the Tower's builder, Wilbur B. Foshay, whose comet-like rise as a powerful Midwestern utilities magnate was embodied in the obelisk structure. Just two months after the Tower's dedication, on October 29, 1929, Wilbur Foshay lost everything in the Stock Market Crash, save for his his reputation. That, however, was defamed in 1931, when he stood trial for mail fraud, in what was largely a Ponzi scheme.

In Part I, KFAI producer Britt Aamodt explores the meteoric rise of the WB Foshay utilities empire, which at one time stretched from Minnesota to Central America. Combining interviews, historical research and Wilbur Foshay's own words, Aamodt paints a portrait of an era rash big dreams, economic speculation, and a bigger fall-telling the tale of how the Great Depression stripped Wilbur Foshay of his empire.

In Part II, KFAI producer Britt Aamodt takes up the narrative of Wilbur Foshay, examining his luxurious Minneapolis lifestyle--the houses, the gold faucets in the Tower offices--and how this bumptious businessman picked himself up after the Crash of 1929, only to receive word that he was being indicted for mail fraud. One of the biggest trials of the day took place in Minneapolis, sending Foshay to Leavenworth Prison, and a Minnesota family to their deaths, in the fallout from the trial. Aamodt follows Foshay after his release from prison, when the man who built the Tower sought to rebuild his life in small-town Colorado.

Minnesota's Experimental Sound Artists

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 28:24

The world of experimental sound arts is innovative and unusual--a place where instrument builders, alternative tuning systems and unorthodox musical expressions converge. In this documentary, six Minnesota experimental sound artists share their musings, explorations and creations: Paul Metzer, Mary Garvie, Tim Kaiser, David Means, Dixie Treichel and Kirs Peck. Produced for KFAI by Dixie Treichel.

A037_small The world of experimental sound arts is innovative and unusual--a place where instrument builders, alternative tuning systems and unorthodox musical expressions converge. In this documentary, six Minnesota experimental sound artists share their musings, explorations and creations.

St. Paul native Paul Metzger performs solo and with various experimental musicians around the world. In this program, he improvises on his collection of modified guitars and banjos, including a 23-string banjo.

Mary Garvie likes to collaborate and perform freestyle. Hear her voice experiments, and listen as she plays a variety instruments, such as an amplified grate, table top and singing bowl.

Tim Kaiser designs and builds electronic experimental instruments for himself and others, and likes buttons, knobs and switches. Based in Duluth, he performs at experimental sound festivals around the country.

David Means curates the Strange Attractors Experimental Intermedia Festival in St. Paul. Many of the experimental sound pieces he creates--using electric, electronic and computer instruments--are designed for the architectural layout of a performance space.

Dixie Treichel is founder of the Unique Sounds Ensemble in Minneapolis. She makes instruments from found objects, and uses them to create electronic sound art.

Kris Peck builds and performs on micro-tonal guitars. The altered fret boards on these instruments create unusual scales in nontraditional tuning systems. He also explores the use of digital delays and performs in the Twin Cities with a variety of experimental musicians.


The Minneapolis Music Scene: 1975-1980 (Part I)

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:39

The Twin Cities has had a vibrant music scene for decades, but in the early to mid-1970s there was almost no original music being performed. Only a few bands dared to be different, and thanks to their creative diligence, the Minneapolis punk/rock scene was born. This two-part documentary describes the Minneapolis music scene between 1975 - 1980, and features interviews and music by Curtiss A (Thumbs Up/the Spooks), Chris Osgood (the Suicide Commandos), Robert Wilkinson (the Flamin' Oh), Chan Poling (the Suburbs), Kevin Cole (Rev 105), Peter Jesperson (Twin Tone/New West Records) and many more. Written and produced for KFAI by Cyn Collins.

Oarfolk_small

Minneapolis Music Scene: 1975-1980
Written & Produced by Cyn Collins

The Twin Cities has had a vibrant music scene for decades, but in the early to mid-1970s there was almost no original music being performed. Only a few bands dared to be different, and thanks to their creative diligence, the Minneapolis punk/rock scene was born.

This two-part documentary describes the Minneapolis music scene between 1975 – 1980, and features interviews and music by Curtiss A (Thumbs Up/the Spooks), Chris Osgood (the Suicide Commandos), Robert Wilkinson (the Flamin’ Oh), Chan Poling (the Suburbs), Kevin Cole (Rev 105), Peter Jesperson (Twin Tone/New West Records) and many more.

Part I explores what inspired these musicians, which bands formed, and where they ultimately performed. It also focuses on the impact of Oar Folkjokeopus, the CC Club, and Jay's Longhorn Bar.

Part II further describes Jay’s Longhorn Bar, features music and interviews with members of the Flamin' Ohs and the Suburbs, and explores the birth of Twin/Tone Records.

Today Minneapolis has a vibrant and sustainable music scene thanks to the efforts of musicians and music lovers who dared to be different at a time when cover bands were the norm. Meet the players, who in the mid- to late-70s, paved the way for the next generation of bands--from Husker Du to the Replacements and beyond.

Interviews & Production Assistance from:

Curtiss A. (Curt Almsted)
Dave Ahl (Suicide Commandos)
Steve Almaas (Suicide Commandos)
Lori Barbero (Babes in Toyland, DJ, booking agent, and former Jay's Longhorn Bar staff)
Richard Champ (NNB)
Kevin Cole (Sr. program director, DJ KEXP Seattle, DJ REV 105)
Bob "Slim" Dunlap (guitarist in Thumbs Up, the Spooks, the Replacements)
Robert Henry (Fingerprints)
Peter Jesperson (Sr. vice president of A&R at New West Records, former manager of Oar Folkjokeopus, DJ at Jay's Longhorn Bar, co-founder Twin/Tone Records)
Terry Katzman (Garage D'Or Records)
Martin Keller (journalist, author)
Chris Osgood (Suicide Commandos)
Chan Poling (The Suburbs)
Nancy Sartor (project manager & executive producer)
Paul Stark (co-founder Twin/Tone Records)
Robert Wilkinson (Prodigy and Flamin' Oh's)
Daniel Zamzow (production assistant)

The Minneapolis Music Scene: 1975-1980 (Part II)

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:35

The Twin Cities has had a vibrant music scene for decades, but in the early to mid-1970s there was almost no original music being performed. Only a few bands dared to be different, and thanks to their creative diligence, the Minneapolis punk/rock scene was born. This two-part documentary describes the Minneapolis music scene between 1975 - 1980, and features interviews and music by Curtiss A (Thumbs Up/the Spooks), Chris Osgood (the Suicide Commandos), Robert Wilkinson (the Flamin' Oh), Chan Poling (the Suburbs), Kevin Cole (Rev 105), Peter Jesperson (Twin Tone/New West Records) and many more. Written and produced for KFAI by Cyn Collins.

Mpls_beej_small Minneapolis Music Scene: 1975-1980
Written & Produced by Cyn Collins

The Twin Cities has had a vibrant music scene for decades, but in the early to mid-1970s there was almost no original music being performed. Only a few bands dared to be different, and thanks to their creative diligence, the Minneapolis punk/rock scene was born.

This two-part documentary describes the Minneapolis music scene between 1975 - 1980, and features interviews and music by Curtiss A (Thumbs Up/the Spooks), Chris Osgood (the Suicide Commandos), Robert Wilkinson (the Flamin' Oh), Chan Poling (the Suburbs), Kevin Cole (Rev 105), Peter Jesperson (Twin Tone/New West Records) and many more.

Part I explores what inspired these musicians, which bands formed, and where they ultimately performed. It also focuses on the impact of Oar Folkjokeopus, the CC Club, and Jay's Longhorn Bar.

Part II further describes Jay's Longhorn Bar, features music and interviews with members of the Flamin' Ohs and the Suburbs, and explores the birth of Twin/Tone Records.

Today Minneapolis has a vibrant and sustainable music scene thanks to the efforts of musicians and music lovers who dared to be different at a time when cover bands were the norm. Meet the players, who in the mid- to late-70s, paved the way for the next generation of bands--from Husker Du to the Replacements and beyond.

Interviews & Production Assistance from:

Curtiss A. (Curt Almsted)
Dave Ahl (Suicide Commandos)
Steve Almaas (Suicide Commandos)
Lori Barbero (Babes in Toyland, DJ, booking agent, and former Jay's Longhorn Bar staff)
Richard Champ (NNB)
Kevin Cole (Sr. program director, DJ KEXP Seattle, DJ REV 105)
Bob "Slim" Dunlap (guitarist in Thumbs Up, the Spooks, the Replacements)
Robert Henry (Fingerprints)
Peter Jesperson (Sr. vice president of A&R at New West Records, former manager of Oar Folkjokeopus, DJ at Jay's Longhorn Bar, co-founder Twin/Tone Records)
Terry Katzman (Garage D'Or Records)
Martin Keller (journalist, author)
Chris Osgood (Suicide Commandos)
Chan Poling (The Suburbs)
Nancy Sartor (project manager & executive producer)
Paul Stark (co-founder Twin/Tone Records)
Robert Wilkinson (Prodigy and Flamin' Oh's)
Daniel Zamzow (production assistant)

The History of Twin Cities Variety Theater

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:15

KFAI 's Michelle Alimoradi and Judith McKenzie look back at a time to when vaudeville and burlesque theaters dominated the Twin Cities. They talk to local theater historians, and get a first-hand account of what it was like from 93-year-old Minneapolis resident Bob Boucher, who performed in local vaudeville theater in the 1920s.

Minneapolis_small KFAI 's Michelle Alimoradi and Judith McKenzie look back at a time to when vaudeville and burlesque theaters dominated the Twin Cities. They talk to local theater historians, and get a first-hand account of what it was like from 93-year-old Minneapolis resident Bob Boucher, who performed in local vaudeville theater in the 1920s.

The History of Nicollet Island, Part I

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 28:11

Nicollet Island is the only inhabited island in the Mississippi River, and this leafy Minneapolis oasis has attracted a colorful crowd: gilded-age tycoons, train-riding vagabonds, hippies, and well-known musicians have all called the Island home.

In the first of this two-part documentary, producer Jessica Folker explores the Island's more distant past, beginning with its days as a safe place for expectant Dakota women.

Christopher and Rushika Hage--a resident couple whose love for the Island spawned two books on its illustrious history--offer stories about mosquito-plagued pioneers, murderous maids, beer caves, and disastrous events that affected the entire city.

Nic1_small Nicollet Island is the only inhabited island in the Mississippi River, and this leafy Minneapolis oasis has attracted a colorful crowd: gilded-age tycoons, train-riding vagabonds, hippies, and well-known musicians have all called the Island home.

In the first of this two-part documentary, producer Jessica Folker explores the Island's more distant past, beginning with its days as a safe place for expectant Dakota women.

Christopher and Rushika Hage--a resident couple whose love for the Island spawned two books on its illustrious history--offer stories about mosquito-plagued pioneers, murderous maids, beer caves, and disastrous events that affected the entire city.

The History of Nicollet Island, Part II

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:08

Once a posh enclave for the city's wealthiest residents, Nicollet Island had turned gritty by the early 20th century. Dominated by industry and inhabited by transients, many who wandered onto the Island were drawn to the bars
and flophouses of skid row. By the 1970s, slumlords offering cheap rent attracted an enclave of colorful characters, and Nicollet Island became home to an eclectic mix of hobos, hippies, artists and working-class families.

In Part II of the History of Nicollet Island, producer Jessica Folker introduces us to former and current Island dwellers, who share stories about living with drifters, donkeys and some of the Twin Cities' best musicians on this urban island oasis.

Nic6_small Once a posh enclave for the city's wealthiest residents, Nicollet Island had turned gritty by the early 20th century. Dominated by industry and inhabited by transients, many who wandered onto the Island were drawn to the bars
and flophouses of skid row. By the 1970s, slumlords offering cheap rent attracted an enclave of colorful characters, and Nicollet Island became home to an eclectic mix of hobos, hippies, artists and working-class families.

In Part II of the History of Nicollet Island, producer Jessica Folker introduces us to former and current Island dwellers, who share stories about living with drifters, donkeys and some of the Twin Cities' best musicians on this urban island oasis.

The Iron Lady of Chisholm: Veda Pinokvar

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:01

Veda Ponikvar is known as “The Iron Lady of Chisholm,” and recognized by the Historical Society as one of Minnesota’s 150 most important people. Born of humble beginnings to Eastern European immigrants on the Iron Range in northeastern Minnesota, Veda attended college, served in World War II, and returned to her hometown to start the Chisholm Free Press. She is a life-long advocate for workers, children and the mentally disabled. KFAI producer Britt Aamodt journeyed up north to talk to this 93-year-old icon.

Veda2_small Veda Ponikvar is known as “The Iron Lady of Chisholm,” and recognized by the Historical Society as one of Minnesota’s 150 most important people. Born of humble beginnings to Eastern European immigrants on the Iron Range in northeastern Minnesota, Veda attended college, served in World War II, and returned to her hometown to start the Chisholm Free Press. She is a life-long advocate for workers, children and the mentally disabled. KFAI producer Britt Aamodt journeyed up north to talk to this 93-year-old icon.

Coldwater Spring/Mini Owe Sni

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:07

Some people believe that Coldwater Spring has been flowing for more than 10,000 years. Located south of Minnehaha Park on the former Bureau of Mines Campus, and formerly known as Camp Coldwater, the spring provided fresh drinking water to the soldiers who built Fort Snelling. A civilian settlement sprang up, and fur traders, blacksmiths and the state’s first Indian agent all settled and lived among military personnel. Coldwater Spring sits near some of the most sacred Dakota sites: Wita Tanka, Pike Island, where Dakota buried there dead; Taku Wakan Tipi, Carvers Cave near the VA hospital, the dwelling place of Native American gods and spirits; and B'dote, the confluence of the Mississippi and Minnesota Rivers, where the first Dakota emerged. In 2010 the National Park Service took over the land at Coldwater Spring with the intention of making it a public park. Controversy ensued among Dakota people and environmental activists, who believe the site is sacred and worthy of protection under the National Register of Historic Places. KFAI producer Allison Herrera explores the complicated history of Coldwater Spring in this exclusive MinneCulture documentary.

Coldwater1_small Some people believe that Coldwater Spring has been flowing for more than 10,000 years. Located south of Minnehaha Park on the former Bureau of Mines Campus, and formerly known as Camp Coldwater, the spring provided fresh drinking water to the soldiers who built Fort Snelling. A civilian settlement sprang up, and fur traders, blacksmiths and the state's first Indian agent all settled and lived among military personnel. Coldwater Spring sits near some of the most sacred Dakota sites: Wita Tanka, Pike Island, where Dakota buried there dead; Taku Wakan Tipi, Carvers Cave near the VA hospital, the dwelling place of Native American gods and spirits; and B'dote, the confluence of the Mississippi and Minnesota Rivers, where the first Dakota emerged. In 2010 the National Park Service took over the land at Coldwater Spring with the intention of making it a public park. Controversy ensued among Dakota people and environmental activists, who believe the site is sacred and worthy of protection under the National Register of Historic Places. KFAI producer Allison Herrera explores the complicated history of Coldwater Spring in this exclusive MinneCulture documentary.

West Hills State School: A troubled past for the Owatonna orphanage

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 28:39

In 1886, the State-Run School for Dependent and Neglected Children opened in Owatonna, Minnesota. For nearly 60 years the orphanage housed thousands of children, and during the Great Depression, was massively overcrowded. For some, the orphanage provided a safe haven, but for many others, beatings and neglect were commonplace. In this documentary, KFAI producer Dan Greenwood talks with Harvey Ronglien--a former state-schooler who spent his entire childhood at the orphange--to learn about the dark and sordid past of the institution. Since the 1990s, Harvey and his wife Maxine have worked with the city to create a museum honoring the children who lived there. Today the campus at West Hills is on the National Registry as a Historic District. For more information, visit orphanagemuseum.com.

Orphans1_small In 1886, the State-Run School for Dependent and Neglected Children opened in Owatonna, Minnesota. For nearly 60 years the orphanage housed thousands of children, and during the Great Depression, was massively overcrowded. For some, the orphanage provided a safe haven, but for many others, beatings and neglect were commonplace. In this documentary, KFAI producer Dan Greenwood talks with Harvey Ronglien--a former state-schooler who spent his entire childhood at the orphange--to learn about the dark and sordid past of the institution. Since the 1990s, Harvey and his wife Maxine have worked with the city to create a museum honoring the children who lived there. Today the campus at West Hills is on the National Registry as a Historic District. For more information, visit orphanagemuseum.com.

Charlotte Ouisconsin Clark Van Cleve

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:16

Charlotte Ouisconsin Clark Van Cleve was a remarkable woman who left a legacy in Minnesota. A newborn Charlotte arrived here in 1819, when her father landed with the Fifth Infantry to construct Fort Snelling. Spending her formative years at remote military posts instilled in Charlotte a love of the flag, and throughout her life she exemplified strong patriotism and an altruistic nature. She raised a large family, and after the Civil War, founded Bethany Home--a safe-haven for "fallen" girls and women. Charlotte served tirelessly as the president of Bethany Home for more than twenty years, often taking unpopular stands in support of those she called her "girls." Despite her sometimes controversial opinions, Charlotte was a beloved and respected member of the community throughout her long life. This MinneCulture documentary was produced by Bobbie Scott, with production assistance by Nancy Sartor. Special thanks to Sabrina Crews, Lisa Day, Ron Grogg, Christine and Jeff Nordin, and the Historic Fort Snelling Fife and Drum Corps.

Char_image_small Charlotte Ouisconsin Clark Van Cleve was a remarkable woman who left a legacy in Minnesota. A newborn Charlotte arrived here in 1819, when her father landed with the Fifth Infantry to construct Fort Snelling. Spending her formative years at remote military posts instilled in Charlotte a love of the flag, and throughout her life she exemplified strong patriotism and an altruistic nature. She raised a large family, and after the Civil War, founded Bethany Home--a safe-haven for "fallen" girls and women. Charlotte served tirelessly as the president of Bethany Home for more than twenty years, often taking unpopular stands in support of those she called her "girls." Despite her sometimes controversial opinions, Charlotte was a beloved and respected member of the community throughout her long life. This MinneCulture documentary was produced by Bobbie Scott, with production assistance by Nancy Sartor. Special thanks to Sabrina Crews, Lisa Day, Ron Grogg, Christine and Jeff Nordin, and the Historic Fort Snelling Fife and Drum Corps.

Aliens in the Heartland: Clifford D. Simak and the Emergence of Pastoral Science Fiction

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:01

Clifford D. Simak is part of Science Fiction’s Golden Age (1940s-50s), and the author of classics including “City,” “Way Station” and “Goblin Reservation.” He began his career in 1931 with the publication of “The World of the Red Sun” in Wonder Stories, a popular pulp magazine of the time. (That story would inspire a young junior high student, Isaac Asimov, to later try his hand at writing fiction.) Simak’s career spanned 50 years, and his prolific body of work included more than 100 stories and nearly 30 novels. He won three Hugo awards and one Nebula, and in 1977 was recognized by his peers as a Grand Master of Science Fiction—at the time, only the third author to receive such accolades. Through all the success and acclaim, Simak remained a small-town Wisconsin boy at heart, and maintained his reporter job at the Minneapolis Star newspaper. His Midwestern roots defined his fiction, in which regular folk in common settings confronted extraordinary circumstances—time paradoxes, immortals, aliens and parallel universes. Born in rural southwestern Wisconsin in 1904, Cifford Simak died of leukemia in Minneapolis in April 1988.

Simak1_small Clifford D. Simak is part of Science Fiction's Golden Age (1940s-50s), and the author of classics including "City," "Way Station" and "Goblin Reservation." He began his career in 1931 with the publication of "The World of the Red Sun" in Wonder Stories, a popular pulp magazine of the time. (That story would inspire a young junior high student, Isaac Asimov, to later try his hand at writing fiction.) Simak's career spanned 50 years, and his prolific body of work included more than 100 stories and nearly 30 novels. He won three Hugo awards and one Nebula, and in 1977 he was recognized by his peers as a Grand Master of Science Fiction-at the time, only the third author to receive such accolades. Through all the success and acclaim, Simak remained a small-town Wisconsin boy at heart, and maintained his reporter job at the Minneapolis Star newspaper. His Midwestern roots defined his fiction, in which regular folk, in common surroundings confronted extraordinary circumstances-time paradoxes, immortals, aliens and parallel universes. Born in  rural southwestern Wisconsin in 1904, Cifford Simak died of leukemia in Minneapolis in April 1988.


Aliens in the Heartland: Clifford D. Simak and the Emergence of Pastoral Science Fiction

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:01

Clifford D. Simak is part of Science Fiction’s Golden Age (1940s-50s), and the author of classics including “City,” “Way Station” and “Goblin Reservation.” He began his career in 1931 with the publication of “The World of the Red Sun” in Wonder Stories, a popular pulp magazine of the time. (That story would inspire a young junior high student, Isaac Asimov, to later try his hand at writing fiction.) Simak’s career spanned 50 years, and his prolific body of work included more than 100 stories and nearly 30 novels. He won three Hugo awards and one Nebula, and in 1977 was recognized by his peers as a Grand Master of Science Fiction—at the time, only the third author to receive such accolades. Through all the success and acclaim, Simak remained a small-town Wisconsin boy at heart, and maintained his reporter job at the Minneapolis Star newspaper. His Midwestern roots defined his fiction, in which regular folk in common settings confronted extraordinary circumstances—time paradoxes, immortals, aliens and parallel universes. Born in rural southwestern Wisconsin in 1904, Cifford Simak died of leukemia in Minneapolis in April 1988.

Simak1_small Clifford D. Simak is part of Science Fiction's Golden Age (1940s-50s), and the author of classics including "City," "Way Station" and "Goblin Reservation." He began his career in 1931 with the publication of "The World of the Red Sun" in Wonder Stories, a popular pulp magazine of the time. (That story would inspire a young junior high student, Isaac Asimov, to later try his hand at writing fiction.) Simak's career spanned 50 years, and his prolific body of work included more than 100 stories and nearly 30 novels. He won three Hugo awards and one Nebula, and in 1977 he was recognized by his peers as a Grand Master of Science Fiction-at the time, only the third author to receive such accolades. Through all the success and acclaim, Simak remained a small-town Wisconsin boy at heart, and maintained his reporter job at the Minneapolis Star newspaper. His Midwestern roots defined his fiction, in which regular folk, in common surroundings confronted extraordinary circumstances-time paradoxes, immortals, aliens and parallel universes. Born in  rural southwestern Wisconsin in 1904, Cifford Simak died of leukemia in Minneapolis in April 1988.


Aliens in the Heartland: Clifford D. Simak and the Emergence of Pastoral Science Fiction

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:01

Clifford D. Simak is part of Science Fiction’s Golden Age (1940s-50s), and the author of classics including “City,” “Way Station” and “Goblin Reservation.” He began his career in 1931 with the publication of “The World of the Red Sun” in Wonder Stories, a popular pulp magazine of the time. (That story would inspire a young junior high student, Isaac Asimov, to later try his hand at writing fiction.) Simak’s career spanned 50 years, and his prolific body of work included more than 100 stories and nearly 30 novels. He won three Hugo awards and one Nebula, and in 1977 was recognized by his peers as a Grand Master of Science Fiction—at the time, only the third author to receive such accolades. Through all the success and acclaim, Simak remained a small-town Wisconsin boy at heart, and maintained his reporter job at the Minneapolis Star newspaper. His Midwestern roots defined his fiction, in which regular folk in common settings confronted extraordinary circumstances—time paradoxes, immortals, aliens and parallel universes. Born in rural southwestern Wisconsin in 1904, Cifford Simak died of leukemia in Minneapolis in April 1988.

Simak1_small Clifford D. Simak is part of Science Fiction's Golden Age (1940s-50s), and the author of classics including "City," "Way Station" and "Goblin Reservation." He began his career in 1931 with the publication of "The World of the Red Sun" in Wonder Stories, a popular pulp magazine of the time. (That story would inspire a young junior high student, Isaac Asimov, to later try his hand at writing fiction.) Simak's career spanned 50 years, and his prolific body of work included more than 100 stories and nearly 30 novels. He won three Hugo awards and one Nebula, and in 1977 he was recognized by his peers as a Grand Master of Science Fiction-at the time, only the third author to receive such accolades. Through all the success and acclaim, Simak remained a small-town Wisconsin boy at heart, and maintained his reporter job at the Minneapolis Star newspaper. His Midwestern roots defined his fiction, in which regular folk, in common surroundings confronted extraordinary circumstances-time paradoxes, immortals, aliens and parallel universes. Born in  rural southwestern Wisconsin in 1904, Cifford Simak died of leukemia in Minneapolis in April 1988.


Near v Minnesota: How a local rag ignited a First Amendment firestorm

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 27:37

When Minneapolis politicians censored small time scandal sheet publisher, Jay Near, it sparked the country’s first debate on whether the government can control people’s speech and punish them for publishing unpopular ideas. Called the first great press case, the surprising 1931 U.S. Supreme Court decision in Near vs. Minnesota is a landmark of First Amendment law, and continues to guide our democracy today. KFAI producer Susan Gray talks to media and legal experts, who describe the characters that played a role in creating this important jurisprudence.

Newsboy3_small When Minneapolis politicians censored small time scandal sheet publisher, Jay Near, it sparked the country’s first debate on whether the government can control people’s speech and punish them for publishing unpopular ideas. Called the first great press case, the surprising 1931 U.S. Supreme Court decision in Near vs. Minnesota is a landmark of First Amendment law, and continues to guide our democracy today. KFAI producer Susan Gray talks to media and legal experts, who describe the characters that played a role in creating this important jurisprudence.

An Architectural and Cultural History of Hennepin Avenue

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:00

Hennepin Avenue predates the city of Minneapolis, and was originally used by Dakota Indians as a footpath between St Anthony Falls and Lake Calhoun. This main artery has grown and evolved over time, and been home to diverse communities and businesses. From immigrant laborers to performance artists, Hennepin Avenue has gone through a number of incarnations. The former Minneapolis red-light district is today a destination for theater and dance. Producer Sarah Boden explores the avenue's colorful history, highlighting architectural and cultural landmarks along the way.

With production assistance from Nancy Sartor. Special thanks to Ben Anderson, Annette Atkins, Syd Bean, Cristeta Boarini, Bill Catlin, Dale Connelly, Jim Du Bois and the Minnesota Broadcasters Association, Jean Garbarini, Minneapolis Councilor Lisa
Goodman, Joseph Hart, The Hennepin County Library’s Minneapolis Collection, The Hennepin History Museum with Susan Larson-Fleming and Jack Kabrud, Neal Karlen, Phillip Koski, Ginny Lackovic, Chuck D. Liddy, Sarah Lemancyzk, Paul Metsa, Ashley Mitlyng, Larry Millett, former Minneapolis Councilor Lee Munnich, Kevin Murphy, Karen Nelson, Mayor R. T. Rybak with John Stiles and Janna Hottinger, Penny Petersen, The Saloon with Jim “Andy” Anderson, John Moore and Tim Balfanz, Catherine Sandlund, The Tretter Collection in GLBT Studies at the University of Minnesota with Lisa Vecoli, Etty Wilberding, and Stewart Van Cleve.

1st_suspension_bridge_-_hhm_small Hennepin Avenue predates the city of Minneapolis, and was originally used by Dakota Indians as a footpath between St Anthony Falls and Lake Calhoun. This main artery has grown and evolved over time, and been home to diverse communities and businesses. From immigrant laborers to performance artists, Hennepin Avenue has gone through a number of incarnations. The former Minneapolis red-light district is today a destination for theater and dance. Producer Sarah Boden explores the avenue's colorful history, highlighting architectural and cultural landmarks along the way.

With production assistance from Nancy Sartor. Special thanks to Ben Anderson, Annette Atkins, Syd Bean, Cristeta Boarini, Bill Catlin, Dale Connelly, Jim Du Bois and the Minnesota Broadcasters Association, Jean Garbarini, Minneapolis Councilor Lisa
Goodman, Joseph Hart, The Hennepin County Library’s Minneapolis Collection, The Hennepin History Museum with Susan Larson-Fleming and Jack Kabrud, Neal Karlen, Phillip Koski, Ginny Lackovic, Chuck D. Liddy, Sarah Lemancyzk, Paul Metsa, Ashley Mitlyng, Larry Millett, former Minneapolis Councilor Lee Munnich, Kevin Murphy, Karen Nelson, Mayor R. T. Rybak with John Stiles and Janna Hottinger, Penny Petersen, The Saloon with Jim “Andy” Anderson, John Moore and Tim Balfanz, Catherine Sandlund, The Tretter Collection in GLBT Studies at the University of Minnesota with Lisa Vecoli, Etty Wilberding, and Stewart Van Cleve.

Second Chances: The Story of Fergus Falls State Hospital

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 27:34

In the late 19th century, insane asylums were built across the country in response to a national outcry over the treatment of the mentally ill. More than 75 asylums were designed using Dr. Thomas Kirkbride’s Moral Treatment Plan, which claimed mental ailments could be alleviated with beautiful architecture and serene landscaping. The former State Hospital in Fergus Falls, Minnesota is one of the few remaining intact Kirkbride hospitals in the country. KFAI producer Susan Gray spoke with preservation supporters to learn about the building's historical significance to Fergus Falls, and the treatment of people with mental illness. When this story first aired early in 2013, the building was destined for the wrecking ball. In June of 2013 the city accepted a proposal to begin a renovation project with Historic Properties, Inc., a Georgia based Real Estate Development Company. The plan, Historic Kirkbride, includes an upscale hotel, spa, apartments, shops and a makerspace.

Ff7_small In the late 19th century, insane asylums were built across the country in response to a national outcry over the treatment of the mentally ill. More than 75 asylums were designed using Dr. Thomas Kirkbride’s Moral Treatment Plan, which claimed mental ailments could be alleviated with beautiful architecture and serene landscaping. The former State Hospital in Fergus Falls, Minnesota is one of the few remaining intact Kirkbride hospitals in the country.  KFAI producer Susan Gray spoke with preservation supporters to learn about the building's historical significance to Fergus Falls, and the treatment of people with mental illness. When this story first aired early in 2013, the building was destined for the wrecking ball. In June of 2013 the city accepted a proposal to begin a renovation project with Historic Properties, Inc., a Georgia based Real Estate Development Company. The plan, Historic Kirkbride, includes an upscale hotel, spa, apartments, shops and a makerspace.

The Mesabi Iron Range Strike of 1907

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 27:53

At the turn of the last century, Minnesota's Iron Range was a cauldron of ethnicities and languages. From 1892 to 1914, more than 40 different ethnic groups immigrated there from the Old World, converging on one of the richest iron lodes in history. In 1907, a large-scale labor strike erupted on the Mesabi Range, led primarily by immigrant Finns. The strike raised questions about whether laborers had the right to strike for liveable wages, eight-hour work days and fair work practices. Though ultimately unsuccessful, the strike broke down cultural barriers and united miners under the common banner of organized labor. KFAI producer Britt Amodt talks with historian Rhoda Gilman, Pam Brunfelt and Peter Rachleff.

Strike3_small At the turn of the last century, Minnesota's Iron Range was a cauldron of ethnicities and languages. From 1892 to 1914, more than 40 different ethnic groups immigrated there from the Old World, converging on one of the richest iron lodes in history. In 1907, a large-scale labor strike erupted on the Mesabi Range, led primarily by immigrant Finns. The strike raised questions about whether laborers had the right to strike for liveable wages, eight-hour work days and fair work practices. Though ultimately unsuccessful, the strike broke down cultural barriers and united miners under the common banner of organized labor. KFAI producer Britt Amodt talks with historian Rhoda Gilman, Pam Brunfelt and Peter Rachleff.


The Federal Writers Project in Minnesota

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 27:57

As part of the New Deal, the Works Progress Administration, or They were scared, poor, on the dole, and desperate for work. From 1935-1943, 250 Minnesotans participated in the great social experiment called the Federal Writers Project. Some were former newspapermen, some were casual fictioneers. But most of them were just ordinary job hunters who jumped on the WPA bandwagon to research and write one of the best books on Minnesota today: The WPA Guide to Minnesota. KFAI's Britt Aamodt turns back the clock to the Dirty '30s in her look at the Federal Writers Project in Minnesota.

Writers3_small As part of the New Deal, the Works Progress Administration, or They were scared, poor, on the dole, and desperate for work. From 1935-1943, 250 Minnesotans participated in the great social experiment called the Federal Writers Project. Some were former newspapermen, some were casual fictioneers. But most of them were just ordinary job hunters who jumped on the WPA bandwagon to research and write one of the best books on Minnesota today: The WPA Guide to Minnesota. KFAI's Britt Aamodt turns back the clock to the Dirty '30s in her look at the Federal Writers Project in Minnesota.

End of the Rope: How a botched hanging ended the death penalty in Minnesota

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 29:11

Before Minnesota became the third state to abolish the death penalty in 1911, legislators instituted the nation’s first law to make executions secret. Created to "protect the public’s morals," the midnight assassination law required that hangings occur at night behind prison walls and banned reporters from attending. But when a St. Paul reporter snuck into the botched hanging of convicted murderer William Williams and revealed to gruesome details to the public, things changed. In this audio documentary, KFAI producer Susan Gray talks with death penalty scholar John Bessler and Twin Cities historian Larry Millet on what was the last hanging in Minnesota.

Williamwilliams_small Before Minnesota became the third state to abolish the death penalty in 1911, legislators instituted the nation’s first law to make executions secret. Created to "protect the public’s morals," the midnight assassination law required that hangings occur at night behind prison walls and banned reporters from attending. But when a St. Paul reporter snuck into the botched hanging of convicted murderer William Williams and revealed to gruesome details to the public, things changed. In this audio documentary, KFAI producer Susan Gray talks with death penalty scholar John Bessler and Twin Cities historian Larry Millet on what was the last hanging in Minnesota.

Eight Days in May: The Anti-War Protests of 1972

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 27:27

Vietnam was never a popular war. But students at the University of Minnesota felt they had to act when President Nixon announced the mining of Vietnamese harbor. Nixon had promised to end the war but now, in May 1972, he was escalating it. In this MinneCulture documentary, KFAI's Britt Aamodt speaks with participants of the multi-day riot, journalist Bill Huntzicker and activist Monte Bute, about the protest that pitted thousands of students against a wall of police in one of the tensest showdowns in Minneapolis history.

Antiwar_protests_image_monte_bute_3download_small Vietnam was never a popular war. But students at the University of Minnesota felt they had to act when President Nixon announced the mining of Vietnamese harbor. Nixon had promised to end the war but now, in May 1972, he was escalating it. In this MinneCulture documentary, KFAI's Britt Aamodt speaks with participants of the multi-day riot, journalist Bill Huntzicker and activist Monte Bute, about the protest that pitted thousands of students against a wall of police in one of the tensest showdowns in Minneapolis history.

The Mysterious Foshay Tower March

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 06:05

Before Donald Trump splashed his name on everything he built, there was a man named Wilbur Foshay. In 1929, when Minneapolis’ first skyscraper was completed, Foshay didn’t just put his name on the top of the thing, he hired the country’s most famous musician to write and perform music for its dedication. KFAI’s Britt Aamodt has the story of the “Foshay Tower – Washington Memorial March.”

Mn90_sousa_march_-_photo_wilbur_foshay_mugshot_small Before Donald Trump splashed his name on everything he built, there was a man named Wilbur Foshay. In 1929, when Minneapolis’ first skyscraper was completed, Foshay didn’t just put his name on the top of the thing, he hired the country’s most famous musician to write and perform music for its dedication. KFAI’s Britt Aamodt has the story of the “Foshay Tower – Washington Memorial March.”

Unraveling the Mystery of the Minneapolis Mummies

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 06:29

For most of the last century, books weren't the only attraction at the Minneapolis Public Library. A pair of Egyptian mummies were. But around 1980, the mummies disappeared from public view. Few people knew what happened to them or how they got to the library in the first place. KFAI's Britt Aamodt unravels the mystery of the Minneapolis mummies.

Mummy_at_mpls_lib_small For most of the last century, books weren't the only attraction at the Minneapolis Public Library. A pair of Egyptian mummies were. But around 1980, the mummies disappeared from public view. Few people knew what happened to them or how they got to the library in the first place. KFAI's Britt Aamodt unravels the mystery of the Minneapolis mummies.

Minneapolis 1931: A Blitzkrieg of Bigotry

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 06:37

In the summer of 1931, Arthur and Edith Lee, bought a home in South Minneapolis and caught hell. They were black. The neighborhood was white. The Lees withstood 1,000 plus-strong mob intimidation, and hate crimes that commanded national headlines and would scar their young daughter for years before fleeing in fall 1933. KFAI’s Will Wright reports on one stubborn family's fight to make a home.

Screen_shot_2016-03-12_at_8 In the summer of 1931, Arthur and Edith Lee, bought a home in South Minneapolis and caught hell. They were black. The neighborhood was white. The Lees withstood 1,000 plus-strong mob intimidation, and hate crimes that commanded national headlines and would scar their young daughter for years before fleeing in fall 1933. KFAI’s Will Wright reports on one stubborn family's fight to make a home.

Minneapolis 1931: A Blitzkrieg of Bigotry

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 06:37

In the summer of 1931, Arthur and Edith Lee, bought a home in South Minneapolis and caught hell. They were black. The neighborhood was white. The Lees withstood 1,000 plus-strong mob intimidation, and hate crimes that commanded national headlines and would scar their young daughter for years before fleeing in fall 1933. KFAI’s Will Wright reports on one stubborn family's fight to make a home.

Screen_shot_2016-03-12_at_8 In the summer of 1931, Arthur and Edith Lee, bought a home in South Minneapolis and caught hell. They were black. The neighborhood was white. The Lees withstood 1,000 plus-strong mob intimidation, and hate crimes that commanded national headlines and would scar their young daughter for years before fleeing in fall 1933. KFAI’s Will Wright reports on one stubborn family's fight to make a home.

The Halloween Blizzard of '91: A Mix Tape in 6 Songs and 2 Feet of Snow

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 26:40

How can you forget the one Halloween in your life that came with two feet of snow? KFAI's Britt Aamodt was studying biology at Gustavus Adolphus College when a record snowstorm blasted its way into her life. She wasn't alone in experiencing the legendary Halloween Blizzard of 1991, a storm that closed schools, shuttered stores and workplaces and left an indelible memory on those that experienced it.

Halloween_blizzard_photo_by_peter_boulay_oct_31_1991_small How can you forget the one Halloween in your life that came with two feet of snow? KFAI's Britt Aamodt was studying biology at Gustavus Adolphus College when a record snowstorm blasted its way into her life. She wasn't alone in experiencing the legendary Halloween Blizzard of 1991, a storm that closed schools, shuttered stores and workplaces and left an indelible memory on those that experienced it.

Johnny Rex and the Nickel Eye-Opener

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 05:02

Most people viewed the drunks on Minneapolis’ Skid Row as pariahs. Not Johnny Rex. He owned a bar, a liquor store and a flophouse there. To Johnny Rex, these men were customers and they were also stars in his homemade films. KFAI’s Xan Holston reports on one man’s complicated relationship with the fighters, drunks and hooligans of Skid Row.

Bacich_moon_face_pic_small Most people viewed the drunks on Minneapolis’ Skid Row as pariahs. Not Johnny Rex. He owned a bar, a liquor store and a flophouse there. To Johnny Rex, these men were customers and they were also stars in his homemade films. KFAI’s Xan Holston reports on one man’s complicated relationship with the fighters, drunks and hooligans of Skid Row.

Minnesota's Forgotten Storybook Artist

From KFAI Minneapolis | Part of the MinneCulture In-Depth series | 05:52

Like most artists, Richard Holzschuh had a day job. His was working as a bookkeeper at Standard Oil. At night, the Minneapolis man slipped into his own whimsical world, creating fantastical drawings of elves, insects and gnomes living secret lives. Holzschuh died in 1968, but his drawings have been rediscovered. And celebrated. KFAI's Britt Aamodt reports.

Storybook_holzschuh_3_small Like most artists, Richard Holzschuh had a day job. His was working as a bookkeeper at Standard Oil. At night, the Minneapolis man slipped into his own whimsical world, creating fantastical drawings of elves, insects and gnomes living secret lives. Holzschuh died in 1968, but his drawings have been rediscovered. And celebrated. KFAI's Britt Aamodt reports.

Listening to Sculpture

From KFAI Minneapolis | Part of the 10,000 Fresh Voices series | 03:39

Sculpture is usually made to be seen, and not heard. Norman Andersen's work is an exception. The Minnesota artist makes analog-based, sound sculpture that's a delight to the eye and the ear. KFAI's Dixie Treichel produced this audio postcard.

The_end_of_machines_small Sculpture is usually made to be seen, and not heard. Norman Andersen's work is an exception. The Minnesota artist makes analog-based, sound sculpture that's a delight to the eye and the ear. KFAI's Dixie Treichel produced this audio postcard.