PRX - Pieces for Format: Actuality

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Caption: Pascal Rogé
Oboe players fuss over their reeds, trumpet players worry about their lips and string players guard their instruments and their bows. Pianists fre...

  • Added: Sep 29, 2010
  • Length: :17
Caption: Pascal Rogé
Saint-Saens wrote the Piano Concerto No. 5 while on vacation in Egypt. He incorporated an ancient Egyptian melody within the music, and evokes a M...

  • Added: Sep 29, 2010
  • Length: :26
Caption: Pascal Rogé
You can take the Frenchman out of France, but you can never take the “French” out of the Frenchman – at least not with pianist Pascal Rogé. And wh...

  • Added: Sep 29, 2010
  • Length: :24
Caption: Pascal Rogé
Ask 20 musicians why they make music, and you’re likely to get 20 different answers, from the profound, to the mysterious to the matter-of-fact. F...

  • Added: Sep 29, 2010
  • Length: :28
Caption: Pascal Rogé
Debussy gave one of his best know piano preludes the subtitle, “Veils.” With all due respect, pianist Pascal Rogé says he doesn’t necessarily take...

  • Added: Sep 29, 2010
  • Length: :25
Caption: Zuill Bailey, Credit: Lisa-Marie Mazzucco
You’ve probably seen several, if not dozens of paintings by the Dutch painter, Vincent Gogh. But have you ever looked at a Van Gogh close up – rea...

  • Added: Sep 29, 2010
  • Length: :26
Caption: Zuill Bailey, Credit: Lisa-Marie Mazzucco
There’s plenty of room for passion and emotion in Tchaikovsky’s music. But the key is knowing how far to take the drama. That’s an especially rel...

  • Added: Sep 29, 2010
  • Length: :28
Caption: Zuill Bailey, Credit: Lisa-Marie Mazzucco
Cellists lament the fact that Mozart did not write a solo sonata or concerto for their instrument. Zuill Bailey says cellists got the next best th...

Bought by KUHF


  • Added: Sep 29, 2010
  • Length: :25
  • Purchases: 1
Caption: Zuill Bailey, Credit: Lisa-Marie Mazzucco
Cellists thank their lucky stars for the wide range of music written for their instrument. The cello is often the composer’s voice for a variety o...

  • Added: Sep 29, 2010
  • Length: :24
Caption: Zuill Bailey, Credit: Lisa-Marie Mazzucco
The Nocturne by Tchaikovsky lives at the intersection of melancholy and beauty – you can hear and feel both. And for cellist Zuill Bailey, it’s mu...

  • Added: Sep 29, 2010
  • Length: :24
Caption: Zuill Bailey, Credit: Lisa-Marie Mazzucco
It’s part of a musician’s job to guide us through the music. It’s a task cellist Zuill Bailey relishes when he plays the Bach Cello Suites, especi...

  • Added: Sep 29, 2010
  • Length: :19
Caption: Gil Shaham
On his new CD, violinist Gil Shaham is joined by members of the Sejong Soloists. They’re a mini-chamber orchestra that got started when the player...

  • Added: Jul 30, 2010
  • Length: :25
Caption: Robert Spano
When asked to write music for the first anniversary of 9-11, composer John Adams wrote a work for orchestra and chorus - and included everyday soun...

  • Added: Jul 30, 2010
  • Length: :23
Caption: Kim Kashkashian, Credit: courtesy of WGBH
In addition to being the butt of musical instrument jokes, the viola suffers from “lack of solo music syndrome.” Violist Kim Kashkashian says that...

  • Added: Jul 30, 2010
  • Length: :14
Caption: Gil Shaham
There’s been some conversation and concern recently about the future of classical music and the future of the symphony orchestra. From the classic...

Bought by KUFM - Montana Public Radio


  • Added: Jul 30, 2010
  • Length: :25
  • Purchases: 1
Caption: Gil Shaham
Some music sounds and looks easy, but that’s often not the case. Violinist Gil Shaham says the Violin Concertos by Haydn are not for beginners. Us...

  • Added: Jul 30, 2010
  • Length: :27
Caption: Robert Spano
Robert Spano and the Atlanta Symphony Orchestra share a commitment to the creation of new music, and it enjoys a regular presence in the orchestra’...

  • Added: Jul 30, 2010
  • Length: :30
Caption: Robert Spano
Performances by the Atlanta Symphony Orchestra have been called “vivid” and “rhapsodic” by the New York Times, and it’s clear that Atlanta hosts on...

  • Added: Jul 30, 2010
  • Length: :28
Caption: Robert Spano
Even before the recent economic challenges, there have been ongoing discussions and blogs about the future of the American symphony orchestra. Wha...

  • Added: Jul 30, 2010
  • Length: :23
Caption: Kim Kashkashian, Credit: courtesy of WGBH
How does one make a sound on an instrument? Violist Kim Kashkashian says it actually has little to do with the instrument itself. Ultimately, she...

  • Added: Jul 30, 2010
  • Length: :22
Caption: Gil Shaham
Sarasate’s Ziguenerweisen – or “Gypsy Airs” – is a work that is often played with an extroverted romantic passion. On his most recent recording of...

  • Added: Jul 30, 2010
  • Length: :24
Caption: Robert Spano
American composer John Corigliano essentially got his start with the New York Philharmonic. His father was the orchestra’s first violinist for mor...

  • Added: Jul 30, 2010
  • Length: :29
Caption: Kim Kashkashian, Credit: courtesy of WGBH
Betty Olivero’s Neharót Neharót was composed in 2006 in response to the pain and suffering of the war in Lebanon. It’s written for solo viola, two...

  • Added: Jul 30, 2010
  • Length: :22
Caption: Robert Spano
It’s the same music, but in a different setting and with a very different sound. Samuel Barber arranged his well-known “Adagio for Strings” for ch...

  • Added: Jul 30, 2010
  • Length: :25
Caption: Gil Shaham
Violinist Gil Shaham calls the Octet for Strings by Mendelssohn “a mind blowing achievement.” What makes it so great? He says it’s a case, at lea...

  • Added: Jul 28, 2010
  • Length: :28