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Playlist: Brian Bovenizer's Portfolio

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Featured

The Voice of the Casals Cello

From David Schulman | 59:00

Time machine? Try this cello: The stories swirling around Pablo Casals's instrument — now almost 300 years old — are full of time-warp coincidence, and breathtaking music. Casals evaded Fascist warplanes with this cello to record Dvorak's Cello Concerto. At the height of Camelot, Casals played the cello at the Kennedy White House. Vivid new interviews from the cellist's widow, Marta Casals Istomin, and the younger cellist playing the instrument today, Amit Peled.

Amit_5_small The stories that swirl around Pablo Casals's cello — now almost 300-years-old — ring with strange coincidence, doubletake cameos, and breathtaking music.

During the Spanish Civil War, Casals and his cello evaded Hitler's warplanes to record the Dvorak cello concerto. Today, the instrument is having a revival in the hands of Amit Peled — a cellist born 100 years after Casals.

Long before Pete Seeger or Bono, Pablo Casals used the power of music and celebrity to advocate for freedom and peace. In 1939, the Fascists won the Spanish Civil War. And for decades, Casals refused  to perform with his cello in any country that recognized  Generalissimo Francisco Franco's Fascist dictatorship. But in 1961, John F. Kennedy issued a request that made the 84-year-old Casals reconsider his decades-long vow.Casals' widow, 60 years younger than he, recounts tales of the historic White House concert as if it had happened yesterday.

Eighty-six at the time of that concert on Nov. 13, 1961, Casals played remarkably that evening. Yet his most compelling recordings came decades earlier, as he re-introduced the Bach Cello Suites to the world, and made a legendary early recording of the signature Dvorak Cello Concerto.

“The Voice of the Casals Cello” is a music-rich, evergreen special, with musical selections woven around personal storytelling. We hear vivid memories from Marta Casals Istomin (named a "living legend" by the Library of Congress for her work at The Kennedy Center and at the Manhattan School of Music) and from Amit Peled, who has his own remarkable connections to Casals. Interviewed in his studio at the Peabody Conservatory, Peled punctuates his storytelling with demonstrations played on the Casals Cello. And we hear selections from a special concert Peled gave at Peabody, which replicated a program Casals had given there exactly a century earlier.

This special is ideal for any station that airs classical music, or a hybrid of music and talk programming, and will work well as a holiday special.  In a season of political change, “The Voice of the Casals Cello” has deeper resonance, reconnecting us to a time of optimism once embodied by the Kennedy White House.

Produced and hosted by David Schulman, the Third Coast and PRX award-winning creator of NPR's long-running "Musicians in their own words" series and of 2015's "TALOA" series, distributed by the WFMT Radio Network.

JULIA CHILD Presents "Lunch with M.F.K. Fisher"

From Leet and Litwin | Part of the HUNGRY: The Literary Julia Child series | 28:23

A gift from the Julia Child Foundation. We hear Julia introducing her late friend, M.F.K. Fisher, who takes us out for a staggeringly gluttonous meal at a French roadside inn.

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An unknown side of Julia Child is that she was a reader. The series, HUNGRY, will include delicious readings from stories by Charles Dickens, Willa Cather, John Steinbeck, Cormack McCarthy, Edna O'Brien, and others. All the programs are, in Julia's words, "about eating, a little cooking, and most of all, people." In this program she introduces us to her late friend, MFK Fisher, describing her house in a meadow with cows poking their noses to the window -- and giving a wonderfully funny, spontaneous character sketch of the author's personality, including her "wicked" streak. The story you'll hear centers on a meal at a French roadside inn. It was written in 1937, recorded in 1985 -- the only recording ever made of MFK Fisher reading a story.  

Fugitive Waves (Series)

Produced by The Kitchen Sisters

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Burning Man — Archiving the Ephemeral

From The Kitchen Sisters | Part of the Fugitive Waves series | 18:58

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On the night of Summer Solstice 1986, Larry Harvey and Jerry James built and burned an eight-foot wooden figure on San Francisco's Baker Beach surrounded by a handful of friends. Burning Man was born. 
This weekend, the 34th annual Burning Man gathering begins to assemble on a vast dry lake bed in Nevada's Black Rock Desert, the nomadic ritual's home since 1990. An estimated 80,000 people will come.   
How do you archive an event when one of it's driving principles is "leave no trace?" Where The Burning Man is in fact burned? What is being kept and who is keeping it? The Kitchen Sisters take a journey into the archives of this legendary gathering to find out.